Tuesday, 6 February 2018

The Shadows - 1963 - Dance On With The Shadows FLAC


Dance On/All Day/Guitar Tango/Oh What A Lovely Tune


 The Shadows are an English instrumental rock group, and were Cliff Richard's backing band from 1958 to 1968, (though they have collaborated again on numerous reunion tours). The Shadows have placed 69 UK charted singles from the 1950s to the 2000s, 35 credited to the Shadows and 34 to Cliff Richard and the Shadows. The group, who were in the forefront of the UK beat-group boom, were the first backing band to emerge as stars. As pioneers of the four-member instrumental format, the band consisted of lead guitar, rhythm guitar, bass guitar and drums. Their range covers pop, rock, surf rock and ballads with a jazz influence.

 The core members are Hank Marvin, Bruce Welch and Brian Bennett. Along with the Fender guitar, another cornerstone of the Shadows sound was the Vox amplifier. The Shadows, with Cliff Richard, dominated British popular music in the late 1950s and early 1960s in the years before the Beatles. The Shadows' number one hits included Apache, Kon-Tiki, Wonderful Land, Foot Tapper and Dance On!. Although they lost ground in the late '60s, the band had a second success from the late '70s.

The Shadows are the third most successful act in the UK singles chart, behind Elvis Presley and Cliff Richard. The Shadows and Cliff Richard & the Shadows each have had four No. 1 selling EPs.

"Dance On!" is an instrumental by the British instrumental group, The Shadows. It went to number 1 in the UK Singles Chart and the Irish Singles Chart it also made number 7 on the Australian charts.

Sunday, 4 February 2018

Joni Mitchell - 1971 - 4 FLAC


Big Yellow Taxi/The Circle Game/Carey/Woodstock



Roberta Joan "Joni" Mitchell, CC (née Anderson; born November 7, 1943) is a Canadian singer-songwriter. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century". Drawing from folk, pop, rock, and jazz, Mitchell's songs often reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. She has received many accolades, including 9 Grammy Awards.
 
 Mitchell began singing in small nightclubs in her hometown of Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and began touring. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album in 1968. Settling in Southern California, Mitchell, with popular songs like "Big Yellow Taxi" and "Woodstock", helped define an era and a generation. Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone's list of the "500 Greatest Albums of All Time", the highest entry by a female artist. In 2000, the New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". In 2017, NPR ranked Blue Number 1 on a list of Greatest Albums Made By Women.

 Mitchell's fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album.

Around 1975, Mitchell's vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she explored jazz, melding it with influences of rock and roll, R&B, classical music and non-western beats. In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, Pat Metheny, as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned again toward pop, embraced electronic music, and engaged in political protest. In 2002, she was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards.


Mitchell is the sole producer credited on most of her albums, including all her work in the 1970s. A blunt critic of the music industry, she quit touring and released her 17th, and reportedly last, album of original songs in 2007. With roots in visual art, Mitchell has designed most of her own album covers. She describes herself as a "painter derailed by circumstance".

Saturday, 3 February 2018

Sonny - 1966 - The Revolution Kind


The Revolution Kind/Laugh At Me/Tony/Georgia and John Quetzal



 Salvatore Phillip "Sonny" Bono  February 16, 1935 – January 5, 1998) was an American singer, musician, songwriter, producer, actor, and politician who came to fame in partnership with his second wife Cher, as the popular singing duo Sonny & Cher. He was mayor of Palm Springs, California from 1988 to 1992, and congressman for California's 44th district from 1995 until his death in 1998. The United States Sonny Bono Copyright Term Extension Act of 1998, which extended the term of copyright by 20 years, was named in honor of Bono when it was passed by Congress nine months after his death. Bono had been one of the original sponsors of the legislation, commonly known as the Bono Act. 

Bono was born in Detroit, to Santo Bono (born in Montelepre, Palermo, Italy) and Zena "Jean" (née La Valle). His mother gave him the nickname "Sonny", which lasted his lifetime. Sonny was the youngest of three siblings; he had two older sisters, Fran and Betty. The family moved to Inglewood, California when he was seven. He attended Inglewood High School but did not graduate.

Bono began his music career as a songwriter at Specialty Records, where his song "Things You Do to Me" was recorded by Sam Cooke, and went on to work for record producer Phil Spector in the early 1960s as a promotion man, percussionist and "gofer". One of his earliest songwriting efforts, "Needles and Pins" was co-written with Jack Nitzsche, another member of Spector's production team. Later in the same decade, he achieved commercial success with his then-wife Cher in the singing duo Sonny and Cher. Bono wrote, arranged, and produced a number of hit records including the singles "I Got You Babe" and "The Beat Goes On", although Cher received more attention as a performer. He played a major part in Cher's solo recording career, writing and producing singles including "Bang Bang" and "You Better Sit Down Kids".


 Bono co-wrote "She Said Yeah", covered by The Rolling Stones on their 1965 LP December's Children. His lone hit single as a solo artist, "Laugh at Me," was released in 1965 and peaked at No. 10 on the Billboard Hot 100. In live concerts, Bono would introduce the song by saying "I'd like to sing a medley of my hit." His only other single as a solo artist, "The Revolution Kind," reached No. 70 on the Billboard Hot 100 later that year. His solo album, Inner Views, was released in 1967.


Sonny continued to work with Cher through the early and mid-1970s, starring in a popular television variety show, The Sonny and Cher Comedy Hour, which ran on CBS from 1971 to 1974. From 1976 to 1977, the duo, since divorced, returned to perform together on The Sonny and Cher Show. Their last appearance together was on Late Night with David Letterman on November 13, 1987, on which they sang "I Got You Babe".
Film and television

 Bono's acting career included bit parts as a guest performer in such television series as Fantasy Island, The Love Boat, in 1974 Murder on Flight 502 he played Jack Marshall and the 1980 miniseries Top of the Hill. He played the role of mad bomber Joe Selucci in Airplane II: The Sequel (1982) and appeared in the horror film Troll (1986). He also portrayed racist entrepreneur Franklin Von Tussle in the John Waters film Hairspray (1988). In Men in Black (1997), Bono is one of several oddball celebrities seen on a wall of video screens that monitor extraterrestrials living among us. He also appeared as the Mayor of Palm Springs (which he actually was at the time) in several episodes of P.S. I Luv U during the 1991–92 TV season, and on Lois & Clark: The New Adventures of Superman (in Season 1, Episode 9, which aired November 21, 1993), in which he played Mayor Frank Berkowitz. He also made a minor appearance as himself in the comedy film First Kid (1996).



Bono guest-starred as himself on The Golden Girls episode "Mrs. George Devereaux" (originally broadcast November 17, 1990), in which he vied with Lyle Waggoner for Dorothy's (Bea Arthur) affection in a dream sequence. In Blanche's (Rue McClanahan) dream, her husband is still alive, and Bono uses his power as Mayor of Palm Springs to have Waggoner falsely arrested so he can have Dorothy to himself.




Sammy Davis Jr - 1968 - Don't Blame The Children


Don't Blame The Children/Sam's Song/Talk To The Animals/Hey There
 

Recognized throughout much of his career as "the world's greatest living entertainer," Sammy Davis, Jr. was a remarkably popular and versatile performer equally adept at acting, singing, dancing, and impersonations -- in short, a variety artist in the classic tradition. A member of the famed Rat Pack, he was among the very first African-American talents to find favor with audiences on both sides of the color barrier, and remains a perennial icon of cool. Born in Harlem on December 8, 1925, Davis made his stage debut at the age of three performing with Holiday in Dixieland, a black vaudeville troupe featuring his father and helmed by his de facto uncle, Will Mastin; dubbed "Silent Sam, the Dancing Midget," he proved phenomenally popular with audiences and the act was soon renamed Will Mastin's Gang Featuring Little Sammy. At the age of seven, Davis made his film debut in the legendary musical short Rufus Jones for President, and later received tap-dancing lessons courtesy of the great Bill "Bojangles" Robinson. In 1941, the Mastin Gang opened for Tommy Dorsey at Detroit's Michigan Theater; there Davis first met Dorsey vocalist Frank Sinatra -- the beginning of a lifelong friendship.

 In 1943, Davis joined the U.S. Army, where he endured a constant battle with racism; upon his return from duty, the group was renamed the Will Mastin Trio. Three years later they opened for Mickey Rooney, who encouraged Davis to begin including his many impersonations in the Trio's act; where previously they had exclusively performed music, the addition of comedy brought new life to the group, and by the beginning of the next decade, they were headlining venues including New York's Capitol club and Ciro's in Hollywood. In 1952, at the invitation of Sinatra, they also played the newly integrated Copacabana. In 1954, Davis signed to Decca, topping the charts with his debut LP, Starring Sammy Davis, Jr.; that same year he lost his left eye in a much-publicized auto accident, but upon returning to the stage in early 1955 was greeted with even greater enthusiasm than before on the strength of a series of hit singles including "Something's Gotta Give," "Love Me or Leave Me," and "That Old Black Magic." A year later, Davis made his Broadway debut in the musical Mr. Wonderful, starring in the show for over 400 performances and launching a hit with the song "Too Close for Comfort."

 In 1958, Davis resumed his film career after a quarter-century layoff with Anna Lucasta, followed a year later by his acclaimed turn in Porgy and Bess. Also in 1959 he became a charter member of the Rat Pack, a loose confederation of Sinatra associates (also including Dean Martin, Peter Lawford, and Joey Bishop) which began regularly performing together at the Sands casino in Las Vegas. In 1960, they made Ocean's Eleven, the first in a series of hip and highly self-referential Rat Pack films; although Davis' inclusion in the group was perceived in many quarters as an egalitarian move, many Black audiences felt he was simply a token -- the butt of subtly racist jokes -- and declared him a sell-out. His earlier conversion to Judaism had been met with considerable controversy within the African-American community as well; still, nothing compared to the public outcry over his 1960 marriage to Swedish actress May Britt, which even elicited death threats. Still, Davis remained a major star, appearing in the 1962 Rat Pack film Sergeants 3 and scoring a major hit with "What Kind of Fool Am I?" Two years later he returned to Broadway in the long-running Golden Boy, scoring a Tony nomination for his performance.

 In 1964, the third Rat Pack film, Robin and the Seven Hoods, was released; two years later, in the wake of the publication of his autobiography Yes I Can, Davis was also among a number of musical luminaries, including Sinatra and Louis Armstrong, who co-starred in the jazz drama A Man Called Adam. In 1968, he and Lawford teamed as Salt and Pepper; the picture was a hit, and a sequel, One More Time, appeared in 1970. In between the two, Davis delivered one of his most memorable screen performances in Bob Fosse's 1969 musical Sweet Charity; he also appeared in a number of television features, including The Pigeon, The Trackers, and Poor Devil. In 1972, Davis topped the pop charts with "The Candy Man," from the film Willy Wonka and the Chocolate Factory; from 1975 to 1977, he hosted his own syndicated variety show, Sammy and Company, and in 1978, starred in the film Sammy Stops the World. However, in the late '70s and through much of the '80s, Davis' profile diminished, and he was primarily confined to the casino circuit, with a 1988 comeback tour he mounted with Sinatra and Martin largely unsuccessful. His appearance in the 1989 film Tap was much acclaimed, but it was to be his last screen performance -- a lifelong smoker, Davis died of cancer on May 16, 1990.

Sergio Mendes And Brasil 66 - 1969 - Scarborough Fair


Scarborough Fair/Bim Bom/Cinnamon And Clove/Watch What Happens


Sérgio Santos Mendes (Portuguese pronunciation: [ˈsɛʁʒju ˈsɐ̃tuʒ ˈmẽdʒiʃ]; born February 11, 1941) is a Brazilian musician. He has over 55 releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.

Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s. Mendes has also collaborated with many artists through the years, including The Black Eyed Peas, with whom he re-recorded in 2006 a version of his breakthrough hit "Mas Que Nada".

 Mendes was born in Niterói, Brazil, the son of a physician. He attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late 1950s just as bossa nova, a jazz-inflected derivative of samba, was emerging. Mendes played with Antônio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil.

Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Sergio Mendes & Brasil '65 group name with Capitol Records and Atlantic Records.

 Sergio became full partners with Richard Adler, a Brooklyn-born American who had previously brought Bossa Trés plus two dancers, Joe Bennett and a Brazilian partner, to appear on The Ed Sullivan Show, in 1963. He was also accompanied by Jobim; Flavio Ramos, and Aloisio Olivera, a record and TV producer from Rio. The Musicians Union only allowed this group to appear on one TV show and one club appearance (Basin Street East) before ordering them to leave the U.S. When the new group, Brasil '65 was formed, Shelly Manne, Bud Shank and other West Coast musicians got Sergio and the others into the local musicians union. Adler and Mendes formed Brasil '65, which consisted of Wanda Sá and Rosinha de Valença, as well as the Sergio Mendes Trio. The group recorded albums for Atlantic and Capitol. 


All of Mendes' jazz albums for Atlantic Records, through Nesuhi and Ahmet Ertegun, had low sales. Richard Adler suggested that Mendes and the group sing in English, as well as Portuguese that Mendes had demanded, and Adler sought new English-based material such as "Going Out of My Head" by Teddy Randazzo and Bobby Weinstein. In order to sing these songs properly in English, Adler suggested that the group find two American girl singers who would sing in both English and Portuguese. Adler called his friend Jerry Dennon, and A&M Records founders Herb Alpert and Jerry Moss, and arranged for an audition for Mendes' new group, which was dubbed "Brasil '66.'" Alpert and Moss signed Mendes and his group to A&M Records. Adler then went to the Ertegun Brothers at Atlantic Records and sought to have them release Mendes from his Atlantic Jazz contract. Ahmet agreed to allow him to record albums under name "Sergio Mendes and Brasil '66" with A&M. Mendes was not at this meeting, only Adler and Ahmet Ertegun. Alpert took over as producer for the A&M albums, and the group became a huge success with their first single, "Mas Que Nada", by writer Jorge Ben.

The first album on A&M was Herb Alpert Presents Sergio Mendes and Brasil '66, an album that went platinum based largely on the success of the single "Mas Que Nada" (a Jorge Ben cover) and the personal support of Alpert, with whom Mendes toured.

The original lineup of Brasil '66 was Mendes (piano), vocalists Lani Hall and Bibi Vogel (later replaced by Janis Hansen), Bob Matthews (bass), José Soares (percussion) and João Palma (drums). John Pisano played guitar. This new line-up including Hansen then recorded two more albums between 1966–1968 (including the best-selling Look Around LP), before there was a major personnel change for their fourth album Fool on the Hill.

 Karen Philipp replaced Hansen as the second female vocalist, while veteran drummer Dom Um Romão teamed with Rubens Bassini to assume percussionist duties. Claudio Slon joined the group as drummer in 1969, and played with Mendes for nearly a decade. Sebastião Neto was the new bassist and Oscar Castro-Neves, the guitarist. This line-up had a more orchestrated sound than its predecessors. Most significantly, in the early 1970s, lead singer Hall pursued a solo career and became Alpert's second wife. Some accounts claim that Mendes was upset with Alpert for years for "stealing" Hall away from his group.


 Though his early singles with Brasil '66 (most notably "Mas Que Nada") met with some success, Mendes really burst into mainstream prominence when he performed the Oscar-nominated "The Look of Love" on the Academy Awards telecast in April 1968. Brasil '66's version of the song quickly shot into the top 10, peaking at No. 4 and eclipsing Dusty Springfield's version from the soundtrack of the movie, Casino Royale. Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair." From 1968 on, Mendes was arguably the biggest Brazilian star in the world and enjoyed immense popularity worldwide, performing in venues as varied as stadium arenas and the White House, where he gave concerts for both presidents Lyndon B. Johnson and Richard Nixon. The Brasil '66 group appeared at the World Expo in Osaka, Japan in June 1970. 

Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974 followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing."

 In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984 he recorded the "Confetti" album, which had the hit songs "Olympia", which was also used as a theme song for the Olympic games that year and "Alibis". The '80s also found Mendes working with singer Lani Hall again on the song "No Place to Hide" from the Brasil '86 album, and as producer of her vocals on the title song for the James Bond film Never Say Never Again.

By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums.

Michael Jackson - 1973 - Rockin' Robin


Rockin' Robin/In Our Small Way/Got To Be There/Wanna Be Where You Are



 Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, and dancer. Dubbed the "King of Pop", he was one of the most popular entertainers in the world, and was the best-selling music artist during the year of his death. Jackson's contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades.


The eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. He began his solo career in 1971 while at Motown Records. In the early 1980s, Jackson became a dominant figure in popular music. His music videos, including those of "Beat It", "Billie Jean", and "Thriller" from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an art form and promotional tool. The popularity of these videos helped bring the television channel MTV to fame. Jackson's 1987 album Bad spawned the U.S. Billboard Hot 100 number-one singles "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana", becoming the first album to have five number-one singles in the nation. He continued to innovate with videos such as "Black or White" and "Scream" throughout the 1990s, and forged a reputation as a touring solo artist. Through stage and video performances, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive sound and style has influenced numerous artists of various music genres.

 Thriller is the best-selling album of all time, with estimated sales of over 66 million copies worldwide. Jackson's other albums, including Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the world's best-selling albums. He is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, and was also inducted into the Songwriters Hall of Fame and the Dance Hall of Fame as the only dancer from pop and rock music. His other achievements include multiple Guinness World Records including the Most Successful Entertainer of All Time, 13 Grammy Awards, the Grammy Legend Award, the Grammy Lifetime Achievement Award, 26 American Music Awards—more than any other artist—including the "Artist of the Century" and "Artist of the 1980s", 13 number-one singles in the United States during his solo career—more than any other male artist in the Hot 100 era—and estimated sales of over 350 million records worldwide. Jackson won hundreds of awards, making him the most awarded recording artist in the history of popular music. He became the first artist in history to have a top ten single in the Billboard Hot 100 in five different decades when "Love Never Felt So Good" reached number nine in 2014.Jackson is also remembered for his philanthropy and pioneering efforts in charitable fundraising in the entertainment industry..Jackson traveled the world attending events honoring his humanitarianism, and, in 2000, the Guinness World Records recognized him for supporting 39 charities, more than any other entertainer.

Bonzo Dog Doo Dah Band - 1970 - I'm The Urban Spaceman FLAC


I'm The Urban Spaceman/I Want To Be With You/Mr. Apollo/We Were Wrong


Besides, perhaps, the Mothers of Invention (with whom they were sometimes compared), the Bonzo Dog Band were the most successful group to combine rock music and comedy. Starting off as the Bonzo Dog Dada Band, then becoming the Bonzo Dog Doo-Dah Band, and then finally just the Bonzo Dog Band, the group was started by British art college students in the mid-'60s. Initially they were inclined toward trad jazz and vaudevillian routines, but by the time of their 1967 debut album, they were leaning further in pop and rock directions. A brief appearance in the Beatles' Magical Mystery Tour film bolstered their visibility, and Paul McCartney (under the pseudonym Apollo C. Vermouth) produced their single "I'm the Urban Spaceman," which reached the British Top Five in 1968.


  The Bonzos really hit their stride with their second and third albums, which found them adding elements of psychedelia to their already-absurdist mix of pop, cabaret, and Dada. The Bonzos could be side-splitting, but their records held up well because they were also capable musicians and songwriters, paced by Neil Innes and Viv Stanshall (both of whom wrote the lion's share of their best material). The group attempted to move into more serious and musical realms with their 1969 LP Keynsham, which, unsurprisingly, was acclaimed as their weakest effort. They broke up shortly afterward; Viv Stanshall made some obscure solo recordings (he was also the grandstanding narrator on Mike Oldfield's "Tubular Bells"). Neil Innes collaborated with members of Monty Python, upon whom the Bonzos were a large influence, as well as writing the songs for and performing in the Beatles documentary spoof, The Rutles.

Neil Diamond - 1966 - Cherry Cherry [Mono] FLAC


Solitary Man/I Got The Feeling (Oh No No)/Girl, You'll Be A Woman Soon/Cherry Cherry



 Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, he has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time.

Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011. Additionally, he received the Sammy Cahn Lifetime Achievement Award in 2000 and in 2011 was an honoree at Kennedy Center, he will be honoured by The Recording Academy with the Lifetime Achievement Award in 2018. On the Hot 100 and Adult Contemporary charts, he has had ten No. 1 singles: "Cracklin' Rosie", "Song Sung Blue", "Longfellow Serenade", "I've Been This Way Before", "If You Know What I Mean", "Desiree", "You Don't Bring Me Flowers", "America", "Yesterday's Songs", and "Heartlight". In January 2018, it was announced that Diamond would receive the Grammy Lifetime Achievement Award. 

"Solitary Man" was written by American musician Neil Diamond, who recorded the song for Bang Records in February 1966. It has since been covered many times by such artists as Billy Joe Royal, B.J. Thomas, Jay and the Americans, T. G. Sheppard, Gianni Morandi, The Sidewinders, Chris Isaak, Johnny Cash, Johnny Rivers, HIM, Crooked Fingers, Cliff Richard, Ólöf Arnalds, Theuns Jordaan, and Farhad Mehrad.

Recorded in February 1966 and initially released on Bang Records in April 1966, "Solitary Man" was Diamond's debut single as a recording artist, having already had moderate--but accidental--success as a songwriter for other artists; their versions of the songs he had already written and composed were released before his own versions of them were. By July, the track had become a minor hit rising to #55 on the U.S. pop singles chart. It would then be included on Diamond's first album, The Feel of Neil Diamond, released in August 1966.

"Cherry, Cherry" is a song written, composed, and recorded in late January 1966 by American musician Neil Diamond. The song (originally intended as a demo) was arranged by Artie Butler and produced by Jeff Barry and Ellie Greenwich. It was issued as a 45 single in 1966 and became Diamond's first big hit, reaching #6 on both the Billboard Hot 100 chart, in October 1966, and the Cash Box chart. Ellie Greenwich came up with the chorus and can be heard as the prominent background voice, accompanied by Jeff Barry. Neil Diamond has stated that the song was inspired by an early relationship with a significantly older woman.

 In 1973 a live recording of "Cherry, Cherry" was issued as a 45 single from the Neil Diamond live album Hot August Night (1972). The live version hit #24 on the Cash Box chart and #31 on the Billboard Hot 100 chart.

"Girl, You'll Be a Woman Soon" is a song written by American musician Neil Diamond, whose recording of it on Bang Records reached number 10 on the US pop singles chart in 1967. The song enjoyed a second life when it appeared on the 1994 Pulp Fiction soundtrack, performed by rock band Urge Overkill. Other versions have been recorded by Cliff Richard (1968), Jackie Edwards (1968), the Biddu Orchestra (1978), and 16 Volt (1998).  The song first appeared on Diamond's album Just for You. The mono and stereo versions of this song differ slightly. On the mono "Just For You" LP as well as on the 45, the strings do not come in until the second verse. It also has a slightly longer fade. The stereo "Just For You" LP version has a shorter fade and the strings come in on the first chorus.


I Got the Feelin' (Oh No No)" charted at #16 in the U.S. and  #67 in Australia “I Got the Feelin’ (Oh No No)” was released as Neil Diamond’s third single for Bang Records and gave him his third chart entry Taken from his debut album The Feel of Neil Diamond. The track may not have been intended to be a single initially. It was first released on Diamond’s debut album, The Feel of Neil Diamond (August 1966). As his second single, “Cherry, Cherry,” rose to a peak at number six in October, Diamond probably was touring to support it and may not have been available to record a proper follow-up, or Bang may have rejected the idea of using the not-yet-issued “The Boat That I Row,” another uptempo number similar to “Cherry, Cherry.” But the label needed something to follow “Cherry, Cherry” quickly to maintain Diamond’s momentum, so “I Got the Feelin’ (Oh No No)” was pressed as a 45 in October. (“The Boat That I Row” was relegated to the B-side.) It entered the Billboard Hot 100 for the week ending November 12 and peaked at number 16 on December 17. Unlike “Solitary Man” and “Cherry, Cherry,” it has not generated cover versions, though Diamond’s original recording has turned up on many of his charting compilations.

Thanks to Sunshine

Monday, 25 December 2017

The Ronnettes - The Ronnettes FLAC


Baby I Love You/Be My Baby/(The Best Part Of) Breakin' Up/Born To Be Together



The Ronettes were an American girl group from New York City. One of the most popular groups from the 1960s, they placed nine songs on the Billboard Hot 100, five of which became Top 40 hits. The trio from Spanish Harlem, New York, consisted of lead singer Veronica Bennett (later known as Ronnie Spector), her older sister Estelle Bennett, and their cousin Nedra Talley. Among the Ronettes' most famous songs are "Be My Baby", "Baby, I Love You", "(The Best Part of) Breakin' Up", and "Walking in the Rain", all of which charted on the Billboard Hot 100. "Walking in the Rain" won a Grammy Award in 1965, and "Be My Baby" was inducted into the Grammy Hall of Fame in 1999. The Ronettes were inducted into the Rock and Roll Hall of Fame in 2007.

The girls sang together since they were teenagers, then known as "The Darling Sisters". Signed first by Colpix Records in 1961, they moved to Phil Spector's Philles Records in March 1963 and changed their name to "The Ronettes". In late 1964, the group released their only studio album, Presenting the Fabulous Ronettes Featuring Veronica, which entered the Billboard charts at number 96. Rolling Stone ranked it number 422 on its list of The 500 Greatest Albums of All Time. The group was inducted into the Vocal Group Hall of Fame in 2004. The Ronettes were the only girl group to tour with the Beatles.

Sunday, 24 December 2017

The Move - 1969 - Blackberry Way FLAC


Blackberry Way/Mist On A Monday Morning/Fire Brigade/Walk Upon The Water


"Blackberry Way" is a 1968 single by English band The Move. Written by Roy Wood and produced by Jimmy Miller, "Blackberry Way" was a bleak counterpoint to the sunny psychedelia of earlier recordings. It nevertheless became the band's most successful single, reaching number 1 on the UK Singles Chart in February 1969. Richard Tandy, who later played keyboards with Wood's next band Electric Light Orchestra (ELO), played harpsichord on "Blackberry Way". Despite the success of the single, the style of psychedelically tinged pop sat uneasily with bassist Trevor Burton. He left the group shortly after. It is cited as inspired by The Beatles' "Penny Lane", and the vocal line from the bridge is borrowed from "Good Old Desk" by Harry Nilsson.

"Fire Brigade" is a song written by Roy Wood and performed by The Move, with Wood on lead vocal B-Side was "Walk Upon the Water". The song contains a guitar figure straight out of Duane Eddy. Glen Matlock of the Sex Pistols admitted some years later that this guitar had strongly influenced the opening riff of their single "God Save the Queen". "Fire Brigade" influenced "Firehouse" from the self-titled debut album by Kiss. Released as the group's fourth single in Britain in February 1968, it reached No. 3 in the UK Singles Chart.

Bobby Helms - 1958 - Bobby Helms @320


Jacqueline/Living In The Shadows Of The Past/Fraulein/(Got A) Heartsick Feeling


Robert Lee Helms (August 15, 1933 – June 19, 1997), known professionally as Bobby Helms, was an American country music singer who enjoyed his peak success in 1957 with the seasonal hit "Jingle Bell Rock". His other hits include "Fraulein" and "My Special Angel".

Helms was born in Helmsburg, Indiana, the son of Hildreth Esther (née Abram) and Fred Robert Helms. His family was musical. Helms began performing as a duo with his brother, Freddie, before going on to a successful solo career in country music. In 1956, Helms made his way to Nashville, Tennessee, where he signed a recording contract with Decca Records. The following year was filled with successes. Helms' first single in 1957, titled "Fraulein", went to No. 1 on the country music chart and made it into the Top 40 on the Billboard Best Sellers in Stores chart. Later that same year, he released "My Special Angel", which also hit No. 1 on the country charts and entered the Top 10 on Billboard's pop music chart, peaking at No. 7.


His song "Jingle Bell Rock," which was released in the late fall of 1957, was a big hit and was being played and danced to on Dick Clark's teen dance show American Bandstand by mid-December of that year. It also re-emerged in four out of the next five years, and sold so well that it repeated each time as a top hit, becoming a Christmas classic still played to this day. (In 2016, it was rated radio's third most played Christmas song, according to StationIntel.) It took five years for the song to become a second million-seller for Helms. It reached No. 6 on the Billboard Hot 100 and spent 21 weeks in the chart. The record gained gold disc status. Accounts that Helms wrote the song with Hank Garland, who played guitar on the original recording, seem to be apocryphal. At the end of a television performance of the song toward the end of his life, Helms said, “I didn’t want to do the song when they first brought it to me, but now I’m sure glad I did.”  ASCAP and Allmusic list the writers of the song as Joseph Beal, Joseph Carlton, James Ross and James Boothe.

Helms continued touring and recording for the next three decades. His pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame. Helms spent most of his later years living just outside Martinsville, Indiana, until his death from emphysema and asthma at the age of 63 in 1997. He was portrayed by actor Brad Hawkins in the 2007 film Crazy. Another record by Helms was "Schoolboy Crush", which was a hit in the UK. It was released in the USA on June 23, 1958 on Decca. The same song was then covered by UK teen star Cliff Richard about the same time as the UK release.

Wednesday, 29 November 2017

Jefferson Airplane - 1969 - White Rabbit FLAC


White Rabbit/Watch Her Ride/Plastic Fantastic Lover/Martha



Best known as the hippie revolutionaries who produced Sixties pop nuggets like "White Rabbit" and "Somebody to Love," Jefferson Airplane survived myriad personnel shifts, including the 1984 departure of founder/guiding light Paul Kantner, several name changes. Over its subsequent years, the band morphed from psychedelic rockers to an MOR pop powerhouse and back again.

At the start, the Jefferson Airplane epitomized the burgeoning Haight-Ashbury culture and provided its soundtrack. The band began in 1965 when singer Marty Balin (b. Martyn Jerel Buchwald, Jan. 30, 1942, Cincinnati, OH), formerly with the acoustic group the Town Criers, met guitarist Paul Kantner (b. Mar. 17, 1941, San Francisco, CA) at the Drinking Gourd, a San Francisco club. They were first a folk-rock group, rounded out by lead guitarist Jorma Kaukonen, drummer Skip Spence, singer Signe Anderson, and bassist Bob Harvey , who was soon replaced by Jack Casady. Their first major show was on August 13, christening the Matrix Club, which later became a major outlet for new Bay Area bands. RCA signed the group and Jefferson Airplane Takes Off (Number 128, 1966) went gold.

 Anderson left to have a baby and was replaced by Grace Slick (b. Grace Barnett Wing, Oct. 30, 1939, Chicago, IL), a former model and member of the Great Society, a group formed in 1965. The Great Society, which included her husband at the time, Jerry Slick, and brother-in-law Darby, had completed two albums for Columbia that weren't released until after Slick became a star with the Airplane. Spence left the Airplane to form Moby Grape and was replaced by a former jazz drummer, Spencer Dryden (b. Apr. 7, 1944, New York, NY), completing the Airplane's most inventive lineup.

Slick's vocals were stronger and more expressive than Anderson's; she later claimed that she tried to imitate the yowl of the lead guitar. She brought two Great Society songs to the Airplane's second album, Surrealistic Pillow — "Somebody to Love" (Number Five, 1967), co-written by Darby Slick, and her own "White Rabbit" (Number Eight, 1967), which was banned in some areas as a pro-drug song. The album (Number Three, 1967), sold half a million copies. After Bathing at Baxter's (Number 17, 1967) included a nine-minute psychedelic jam-collage, "Spayre Change," and occasioned the group's first battle with RCA over obscene language: The word "shit" was deleted from the lyric sheet. Baxter's had no hit singles and didn't sell well, but the Airplane recouped with the gold Crown of Creation (Number Six, 1968), which included Slick's "Lather" and David Crosby's "Triad," a song about a ménage à trois that had been rejected by Crosby's current group, the Byrds.


 The band's ego conflicts already were beginning, however, as Slick stole media attention from Balin (the band's founder), and the songwriting became increasingly divergent. Live, Slick and Balin traded vocals in battles that became increasingly feverish, and the volatile sound of the band in concert was captured on Bless Its Pointed Little Head (Number 17, 1969). By the time the sextet recorded 1969's Volunteers, the Airplane's contract allowed it total "artistic control," which meant that the "Up against the wall, motherfuckers" chorus of "We Can Be Together" appeared intact. The Airplane performed at the Woodstock and Altamont festivals but then had its second major shakeup. Dryden left in 1970 to join the New Riders of the Purple Sage (he was replaced by Joey Covington), and the band stopped touring when Slick became pregnant by Kantner. Anxious to perform, Kaukonen and Casady formed Hot Tuna [see entry] (originally Hot Shit), which later seceded from the Airplane, although, like most band members, they would return.

In the meantime, Kantner and the housebound Slick recorded Blows Against the Empire (Number 20, 1970). Billed as Paul Kantner and Jefferson Starship (the debut of the name), the album featured Jerry Garcia, David Crosby, Graham Nash, and other friends. It became the first musical work nominated for the science-fiction writers' Hugo Award. At the same time, a greatest-hits package entitled The Worst of the Jefferson Airplane (Number 12, 1970) was released. On January 25, 1971, Slick and Kantner's daughter, China, was born; that spring, Balin, who had nothing to do with Blows and contributed only one cowritten composition to Volunteers, left. He formed a short-lived band, Bodacious D.F.

In August the Airplane formed its own label, Grunt, distributed by RCA. The band's reunited effort, Bark (Number 11, 1971), saw them with Covington and all of Hot Tuna, including violinist Papa John Creach, who had first performed with Hot Tuna at a Winterland show in 1970. The band had grown apart, though, and Hot Tuna and Kantner-Slick were each writing for their own offshoot projects. In December 1971 Slick and Kantner released Sunfighter (Number 89, 1971) under both their names, with baby China as cover girl. (China grew up to become an MTV VJ and an actor.)

 In July 1972 this version of the Airplane recorded its last studio album, Long John Silver (Number 20), with some drumming from ex-Turtle John Barbata. In August 1972 at a free concert in New York's Central Park, the band introduced ex–Quicksilver Messenger Service bassist, keyboardist, and vocalist David Freiberg to the ranks. The Airplane unofficially retired at that point. By that September, Casady and Kaukonen had decided to go full-time with Hot Tuna, though they appeared on the live album Thirty Seconds Over Winterland (Number 52, 1973), which came out in April 1973. Slick, Kantner, and Freiberg recorded Baron Von Tollbooth and the Chrome Nun (Number 120, 1973), one of the band's least popular efforts. Slick's equally disappointing solo debut, Manhole (Number 127), appeared in January 1974. By then, she had developed a serious drinking problem, and the band was hoping that the Tuna players would return. They did not.

Finally, in February 1974 Slick and Kantner officially formed the Jefferson Starship (no strict relation to the group on Blows), with Freiberg, Creach, Barbata, and 19-year-old lead guitarist Craig Chaquico. Chaquico had played with the Grunt band Steelwind with his high school English teacher Jack Traylor, and on Slick and Kantner's collaborative albums beginning with Sunfighter. The new group also included Peter Kangaroo (Jorma's brother), though in June he was replaced by Pete Sears, a British sessionman who had played on Rod Stewart's records and had been a member of Copperhead. On Dragon Fly (Number 11, 1974), Balin made a guest appearance on his and Kantner's song "Caroline." The album went gold.

Balin tentatively rejoined the band in January 1975, and the group's next big breakthrough came with Red Octopus, its first Number One album, hitting that position several times during the year and selling 4 million copies. Balin's ballad "Miracles" was a Number Three single. The band was more popular than ever, but in Slick's opinion the music had become bland and corporate, and her rivalry with Balin had not diminished. The group's followup album, 1976's Spitfire, went Number Three and platinum, its first album to do so. But after the successful Earth (Number Five, 1978; also platinum), both Slick and Balin left.

 By then, Slick and Kantner's romance had ended; in November 1976, she married the band's 24-year-old lighting director, Skip Johnson. Her alcoholism forced her to quit the band in the middle of a European tour, leading to a crowd riot in Germany when she did not appear. Her solo albums were neither great critical nor great commercial successes, although throughout the years, her distinctive singing style never changed. In 1980 Balin produced a rock opera entitled Rock Justice in San Francisco. He did a solo album of MOR love songs and in 1981 had a hit single with "Hearts."

With its two lead singers gone, the group's future again seemed in question, but in 1979 Mickey Thomas, best known as lead vocalist on the Elvin Bishop hit "Fooled Around and Fell in Love," joined, and Barbata was replaced by Aynsley Dunbar, a former Frank Zappa and David Bowie sideman who had just left Journey. The new lineup's Freedom at Point Zero (Number Ten, 1979) went gold on the strength of its Number 14 hit, "Jane."

The group's momentum ground to a halt in 1980 after Kantner suffered a brain hemorrhage that, despite its severity, left no permanent damage. The next year came Modern Times (Number 26, 1981), which featured Slick on one track; she rejoined the band in February 1981, and the Jefferson Starship again ascended with a string of Top 40 hits: "Be My Lady" (Number 28, 1982), "Winds of Change" (Number 38, 1983), and "No Way Out" (Number 23, 1984).


Professing his disdain for the group's more commercial direction, Kantner left in 1984, taking with him the "Jefferson" part of its name. Then known simply as Starship, the group enjoyed even greater commercial success. From the platinum Number Seven Knee Deep in the Hoopla came "We Built This City" (Number One, 1985), "Sara" (Number One, 1986), and "Tomorrow Doesn't Matter Tonight" (Number 26, 1986).

No Protection (Number 12, 1987) included the group's third Number One hit, 1987's "Nothing's Gonna Stop Us Now," and "It's Not Over ('Til It's Over)" (Number Nine, 1987), which was later adopted as the theme song of Major League Baseball. The group's last Top 40 single, "It's Not Enough," appeared in 1989. The core trio of Thomas, Chaquico, and Baldwin, abetted by Brett Bloomfield and Mark Morgan, attempted to keep the ship aloft, but in 1990 the group called it quits. Thomas formed yet another band, Starship With Mickey Thomas, whose only links to the original dynasty were himself and latecomer Bloomfield.

In the meantime, in 1989, Kantner, Slick, Balin, Casady, and Kaukonen revived the early Jefferson Airplane lineup and released Jefferson Airplane (Number 85, 1989). Before that, Kantner, Balin, and Casady had formed the KBC Band; its self-titled LP went to Number 75 in 1986.


With Starship now disbanded, Kantner reclaimed the Jefferson Starship moniker and put together a new lineup in 1991, which included Airplane/Starship stalwarts Casady and Creach as well as Tim Gorman (who had worked with the Who and the Jefferson Airplane), ex-Tube Prairie Prince, former KBC member Slick Aguilar, and lead singer Darby Gould, whom Kantner discovered fronting her band World Entertainment War. Gould was joined by vocalist Diana Mangano. The next year, Balin joined. This group, dubbed by Kantner Jefferson Starship - The Next Generation, toured in the early Nineties to positive reviews. With Slick (who had by then retired from performing) guesting on several songs, the band recorded the live Deep Space/Virgin Sky, which consisted of new material as well as "covers" of classic Airplane and Starship tracks. The album Windows of Heaven first came out in Germany in 1998 but was remixed for its American release in 1999.

In 2000 Balin, Kantner, and Casady started touring as Jefferson Airplane's Volunteers and were promptly sued by Jefferson Airplane manager and shareholder of Jefferson Airplane Inc., Bill Thompson, for using the name without permission. Adding to the confusion, Mickey Thomas has been touring as Starship Featuring Mickey Thomas since 1992. The Kantner/Freiberg/Aguilar version of Jefferson Starship continued touring in the 2000s, with yet another female vocalist, Cathy Richardson, and other revolving-door members and famous guests including early Grateful Dead keyboardist Tom Constanten. In 2008 the group released Jefferson's Tree of Liberty, an album of mostly protest folk cover songs including Woody Guthrie's "Pastures of Plenty," Phil Ochs' "I Ain't Marchin' Anymore" and Bob Dylan's "Chimes of Freedom."





Slick has remained true to her vow not to perform anymore and now dedicates herself to painting. Invoking health reasons, she declined to appear with Jefferson Airplane when it performed at its induction into the Rock And Roll Hall of Fame in January 1996 (though she guested on ex–4 Non Blondes singer Linda Perry's album In Flight later that same year). In 1998 she published her autobiography, Somebody to Love?

Skip Spence, Jefferson Airplane's original drummer died of lung cancer on April 16, 1999. Six years later, his successor and former Slick boyfriend Spencer Dryden succumbed to colon cancer on January 10, 2005.

James Taylor - 1972 - Hits By Jmes Taylor @320


Fire And Rain/Country Road/You've Got A Friend/Long Ago And Far Away



 James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide.

Taylor achieved his breakthrough in 1970 with the No. 3 single "Fire and Rain" and had his first No. 1 hit the following year with "You've Got a Friend", a recording of Carole King's classic song. His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over 1 million copies. He enjoyed a resurgence in chart performance during the late 1990s and 2000s, when he recorded some of his most-awarded work (including Hourglass, October Road, and Covers). He achieved his first number-one album in the US in 2015 with his recording Before This World.

He is notable for his popular covers of other people's songs, such as "How Sweet It Is (To Be Loved by You)" and the aforementioned "You've Got A Friend", as well as originals such as "Fire and Rain".



Walker Brothers - 1966 - I Need You FLAC


Land Of 1000 Dances/Everything's Gonna Be All Right/I Need You/Looking For Me


The Walker Brothers Trio was formed in Los Angeles in 1964 by John Walker (lead vocals, guitar), Scott Engel (bass, harmony vocals), and drummer Al "Tiny" Schneider. Before then, John Walker—who had already been using that name professionally for several years—had performed and recorded several unsuccessful singles with his sister as a duo, John and Judy, and Engel had been bass player with instrumental band The Routers. Walker and Engel, with two other musicians, had also toured the Midwest in 1963 as "The Surfaris," although the group included none of the musicians who played on the Surfaris' records. Dropping the word "Trio," Walker and Engel were signed by Mercury Records, recorded a single, "Pretty Girls Everywhere," and became a leading attraction at Gazzari's Club in Hollywood. They also appeared on the Shindig! TV show, developed by Jack Good, and then on a weekly TV show, Ninth Street A Go Go.

Late in 1964, they met drummer Gary Leeds, previously of The Standells (Late 1962–1964). He had recently toured the UK with singer P.J. Proby. Leeds – along with club regular Brian Jones – persuaded them that the band's rock and roll and blues style would go down well in "swinging London," where Proby had already succeeded. Before leaving, they recorded their second single, "Love Her," overseen by Nick Venet and arranger Jack Nitzsche, with Scott Engel taking the lead vocal part for the first time—previously John Walker had been the lead vocalist. They also appeared in a film, Beach Ball, and sent demo recordings to record labels in the United Kingdom. With financial backing from Leeds' stepfather, Walker, Engel and Leeds traveled to the UK in February 1965 for an exploratory visit.

 When they landed in England, record producer Johnny Franz was keen to sign them up. In a short time, Walker and Engel had secured a recording contract with Philips Records, an affiliate of Mercury, and had played several venues around the UK, with Leeds as drummer. Their first single, "Pretty Girls Everywhere," had little success, but radio stations picked up on the follow-up "Love Her" with Engel's baritone vocals, and it made the Top 20 in the UK Singles Chart in June 1965. The song had originally been recorded by The Everly Brothers and released as B-side to their single "The Girl Who Sang The Blues" in 1963.


Philips then recorded and released the group's version of "Make It Easy on Yourself," a Burt Bacharach and Hal David ballad previously recorded by Jerry Butler. It was sung by Engel (by now called Scott Walker), arranged by Ivor Raymonde and produced by Johnny Franz, with a full orchestra augmented by session musicians. Session musicians on the record included Alan Parker and Big Jim Sullivan. By August 1965, "Make It Easy on Yourself" had entered the UK Top 10, eventually reaching the top of the record chart. Later in the year, it also reached No. 16 in the US Billboard Hot 100. The track sold 250,000 copies in the UK, and over one million copies globally, achieving gold disc status.

The number 3 UK hit "My Ship Is Coming In", originally recorded in 1965 by Soul singer Jimmy Radcliffe, followed. Then in March 1966, The Walker Brothers hit No. 1 for the second time in six months with "The Sun Ain't Gonna Shine Anymore." Their popularity in the UK – particularly that of Scott – reached a new high, especially among teenage girls, and their fan club in that country was said to have been larger than The Beatles.' "The Sun Ain't Gonna Shine Anymore" also made the US Top 20, but had less success in the US.

The Walker Brothers continued to have chart hits in the UK in 1966 and 1967, with Scott taking a more prominent role in their song choices and arrangements, but with diminishing commercial success. They also had to leave the UK for six months in early 1967 because of work permit problems. As pop music moved on, the Walker Brothers began to sound dated. By the end of 1967, the pressures of stardom, internal tensions, and 'artistic differences' began to weaken the group. After a UK tour in late 1967, which also featured Jimi Hendrix, Cat Stevens, and Engelbert Humperdinck, followed by a tour of Japan in 1968, the group officially disbanded.

All three continued to release solo records, with Scott (who first recorded solo in 1967) being by far the most successful and creating a large cult following. Late in 1974, Walker, Engel and Leeds agreed to reform The Walker Brothers. In 1975, they released the album No Regrets. The title track was released as a single and rose to No. 7 on the UK chart in early 1976. They recorded two further albums together, Lines (1976) and Nite Flights (1978), which were less successful, although the experimental style of Scott's tracks on Nite Flights laid the stylistic groundwork for his later solo career. The Walker Brothers undertook some cabaret performances, although Engel (by now more usually known as Scott Walker) was reluctant to sing live; the group's contract with GTO Records ended and, according to John Walker, the group "just drifted apart."