Sunday, 20 January 2019
Just Out Of Reach (Of My Two Open Arms)/Hard To Believe/You-re Pouring Water On A Drowning Man/When She Touches Me (Nothing Else Matters)
Percy Sledge will forever be associated with "When a Man Loves a Woman," a pleading, soulful ballad he sang with wrenching, convincing anguish and passion. Sledge sang all of his songs that way, delivering them in a powerful rush where he quickly changed from soulful belting to quavering, tearful pleas. It was a voice that made him one of the key figures of deep Southern soul. Sledge recorded at Muscle Shoals studios in Alabama, where he frequently sang songs written by Spooner Oldham and Dan Penn. Not only did he sing deep soul, but Sledge was among the pioneers of country-soul, singing songs by Charlie Rich and Kris Kristofferson in a gritty, passionate style. During the '70s, his commercial success faded away, but Sledge continued to tour and record into the '90s.
While he worked as a hospital nurse in the early '60s, Sledge began his professional music career as a member of the Southern soul vocal group the Esquires Combo. On the advice of local disc jockey Quin Ivy, he went solo in 1966. Ivy fancied himself a record producer and he agreed to help shape Sledge's song "When a Man Loves a Woman" into a full-fledged single, hiring Spooner Oldham to play a distinctive, legato organ phrase. Ivy released the single independently and quickly licensed it to Atlantic Records, who quickly bought out Sledge's contract. "When a Man Loves a Woman" became a huge hit in the summer of 1966, topping both the pop and R&B charts. It was quickly followed that year by two Top Ten R&B hits, "Warm and Tender Love" and "It Tears Me Up," which were both in the vein of his first hit. Although few of his subsequent singles were hits -- only "Take Time to Know Her" reached the R&B Top Ten in 1968 -- many of the songs, which were often written by Dan Penn and/or Oldham, were acknowledged as classics among soul aficionados.
Despite his strong reputation among deep soul fans, Sledge's sales had declined considerably by the early '70s, and he headed out on the club circuit in America and England. In 1974, he left Atlantic for Capricorn Records, where he returned to the R&B Top 20 with "I'll Be Your Everything." Instead of re-igniting his career, the single was a last gasp, as far as chart success was concerned. Over the next two decades he continued to tour, and in the late '80s "When a Man Loves a Woman" experienced a resurgence in popularity, due to its inclusion in movie soundtracks and in television commercials. Following its appearance in a 1987 Levi's commercial in the U.K., the single was re-released and climbed to number two. Two years later, he won the Rhythm and Blues Foundation's Career Achievement Award. Sledge was able to turn this revived popularity into a successful career by touring constantly, playing over 100 shows a year into the '90s. In 1994, he released Blue Night, his first collection of new material in over a decade, to uniformly positive reviews, and after the turn of the millennium he returned with Shining Through the Rain in 2004. The following year, he was inducted into the Rock and Roll Hall of Fame. Percy Sledge died in April 2015 in Baton Rouge, Louisiana at the age of 73.
Saturday, 19 January 2019
Love Me Tender/Take Time To Know Her/Warm And Tender Love/When A Man Loves A Woman
Sledge was born on November 25, 1941, in Leighton, Alabama. He worked in a series of agricultural jobs in the fields in Leighton before taking a job as an orderly at Colbert County Hospital in Sheffield, Alabama. Through the mid-1960s, he toured the Southeast with the Esquires Combo on weekends, while working at the hospital during the week. A former patient and mutual friend of Sledge and record producer Quin Ivy introduced the two. An audition followed, and Sledge was signed to a recording contract.
Sledge charted with "I'll Be Your Everything" and "Sunshine" during the 1970s, and became an international concert favorite throughout the world, especially in the Netherlands, Germany, and on the African continent; he averaged 100 concerts a year in South Africa.
Sunday, 16 December 2018
Mission Bell/Let The Water Run Down/She Cried/Maria
Born and mostly raised in Texas, rock & roller P.J. Proby never really hit it big in his homeland, but his trouser-busting stage antics helped make him a genuine pop star in England at the height of the British Invasion. Proby was born James Marcus Smith in Houston on November 6, 1938, and grew up listening to country and black gospel; later on, he became fascinated by rockabilly, and his stepsister even dated the young Elvis Presley. After graduating from military school in 1957, he moved to Hollywood hoping to make it in the music business. Through his boyhood friend, teen-idol singer Tommy Sands, Smith made some connections that included songwriter Sharon Sheeley (who was dating Eddie Cochran and had written "Poor Little Fool" for Rick Nelson), and he soon began recording singles under the name Jett Powers, with little success. In the meantime, he worked as a demo singer and also did a bit of acting, appearing in several Westerns and an episode of Gunsmoke.
Meanwhile, Smith was working on his own original songs, which earned him a composition contract with Liberty at the end of 1959; his material was recorded by Johnny Burnette ("Clown Shoes"), the Searchers, Leroy Van Dyke, Rick Nelson, and Jackie DeShannon, among others. He also briefly joined producer Kim Fowley's studio group the Hollywood Argyles in 1960. In 1961, Smith (probably wisely) changed his alias from Jett Powers to P.J. Proby, the name of a childhood friend of Sharon Sheeley. Proby cut several singles from 1961-1963, ranging from rock to pop to country, again without much luck or promotion. With the single "Wicked Woman," he even resorted to changing his name to Orville Woods in hopes of getting played on R&B radio stations.
Saturday, 15 December 2018
It's My Party/She's A Fool/You Don't Own Me/Judy's Turn To Cry
Lesley Sue Goldstein (May 2, 1946 – February 16, 2015), known professionally as Lesley Gore, was an American singer, songwriter, actress, and activist. At the age of 16 (in 1963) she recorded the pop hit "It's My Party", and followed it up with other hits including "Judy's Turn to Cry", "She's a Fool", "You Don't Own Me", "Maybe I Know" and "California Nights".
Gore also worked as an actress and composed songs with her brother, Michael Gore, for the 1980 film Fame, for which she was nominated for an Academy Award. She hosted an LGBT-oriented public television show, In the Life, on American TV in the 2000s, and was active until 2014.
When she recorded her version of "It's My Party" with Quincy Jones in 1963, she was a junior in high school. It became a number-one, nationwide hit. Gore's version sold over one million copies and was certified as a gold record. It also marked the beginning of a time when fans would show up on her front lawn.
"It's My Party" was followed by many other hits for Gore, including the sequel, "Judy's Turn to Cry" (US No. 5); "She's a Fool" (US No. 5); the feminist-themed million-selling "You Don't Own Me", which held at No. 2 for three weeks behind the Beatles' "I Want To Hold Your Hand"; "That's the Way Boys Are" (US No. 12); "Maybe I Know" (US No. 14/UK No. 20); "Look of Love" (US No. 27); and the Grammy-nominated "Sunshine, Lollipops and Rainbows" (US No. 13), from the 1965 movie, Ski Party. In 1965 she appeared in the beach party film The Girls on the Beach in which she performed three songs: "Leave Me Alone", "It's Gotta Be You", and "I Don't Want to Be a Loser".
Gore was given first shot at recording "A Groovy Kind of Love" by songwriters Carole Bayer and Toni Wine with a melody borrowed from a sonatina by Muzio Clementi, but Shelby Singleton, a producer for Mercury subsidiary Smash Records, refused to let Gore record a song with the word "groovy" in its lyrics. The Mindbenders went on to record it, and it reached No. 2 on the Billboard charts.
Gore was one of the featured performers in the T.A.M.I. Show concert film, which was recorded and released in 1964 by American International Pictures, and placed in the National Film Registry in 2006. Gore had one of the longest sets in the film, performing six songs including "It's My Party", "You Don't Own Me", and "Judy's Turn to Cry".
After high school, while continuing to make appearances as a singer, Gore attended Sarah Lawrence College, studying British and American English literature. At college folk music was popularly lauded as 'chic', whereas pop music was often derided as 'uncool.' "Had I been tall with blonde hair, had I been Mary Travers, I would have gotten along fine." She graduated in 1968.
Gore signed a contract with Mercury Records for five years, which carried her obligations to the company through the spring of 1968. Her last big hit had been twelve months prior to this time, but Mercury still saw promise in her as an artist, and believed that one of her singles would make it, like they had in the past. They offered a one-year extension on the initial contract, and Gore was formally contracted to Mercury for a sixth year. During this time, "He Gives Me Love (La La La)", a single release based on a Eurovision Song Contest winner, rose to #96 on the Music Business charts, while bubbling under the hot 100 in Billboard. Mercury took out a full page ad in the trades to support the single, but its airplay was spotty, becoming a hit in only a few major markets. She was then paired with the successful soul producers Kenny Gamble, Leon Huff and Thom Bell for two singles that took her into the "soul" genre: "I'll Be Standing By" and "Take Good Care (Of My Heart)." These songs did not fit the image Mercury had crafted for her, and the singles were not played. Her contract with Mercury ended after the release of "98.6/Lazy Day" and "Wedding Bell Blues" failed to make headway on the charts.
In 1970, she signed with Crewe Records and was reunited with producer Bob Crewe, who had produced her album California Nights. None of the Crewe releases charted.
Lesley with Bob Crewe
Night Train/Love Don't Love Nobody/You've Got The Power/Think
"Night Train" is a twelve-bar blues instrumental standard first recorded by Jimmy Forrest in 1951.
James Brown recorded "Night Train" with his band in 1961. His performance replaced the original lyrics of the song with a shouted list of cities on his East Coast touring itinerary (and hosts to black radio stations he hoped would play his music) along with many repetitions of the song's name. (Brown would repeat this lyrical formula on "Mashed Potatoes U.S.A." and several other recordings.) He also played drums on the recording. Originally appearing as a track on the album James Brown Presents His Band and Five Other Great Artists, it received a single release in 1962 and became a hit, charting #5 R&B and #35 Pop.
A live version of the tune was the closing number on Brown's 1963 album Live at the Apollo. Brown also performs "Night Train" along with his singing group the Famous Flames (Bobby Byrd, Bobby Bennett, and Lloyd Stallworth) on the 1964 motion picture/concert film The T.A.M.I. Show.
"You've Got the Power" is a song written by James Brown and Famous Flames member Johnny Terry and recorded by Brown with Bea Ford as a duet in 1960. Released as the B-side of Brown and the Famous Flames' hit recording of "Think", it also charted, reaching #14 R&B and #86 Pop. It was Brown's first recorded duet and his first hit B-side. Brown briefly performs the song in a medley on his 1963 album Live at the Apollo.
Tuesday, 20 November 2018
Bumble Boogie/Boogie Woogie/School Day Blues/Near You
B. Bumble and the Stingers were an American instrumental ensemble in the early 1960s, who specialized in rock and roll arrangements of classical melodies. Their biggest hits were "Bumble Boogie", which reached number 21 in the US, and "Nut Rocker", which reached number 1 in the UK Singles Chart in 1962. The recordings were made by session musicians at Rendezvous Records in Los Angeles, but when they became successful a touring group was formed led by R. C. Gamble (3 November 1941 – 2 August 2008) as "Billy Bumble".
In 1959, Earl Palmer, René Hall and Plas Johnson, all African American musicians from Louisiana, were the house band at Rendezvous Records. According to Palmer, the three friends “always talked about how we could make some money and not leave the studio. One day I said, 'Let's do a rock version of "In the Mood"'. The single, credited to the Ernie Fields Orchestra, became a hit, reaching # 4 on the US pop charts in early 1960.
"Bumble Boogie" went to # 21 on the Billboard charts in June 1961. Because the session musicians all had other studio commitments, a teen band from Ada, Oklahoma, who had played no part in the recording itself, were recruited to handle promotion and public appearances. Their names were given as Fred Richards, Don Orr, and "B. Bumble", a pseudonym for guitarist R. C. Gamble.
A recording date was quickly arranged, but on the day, Freeman did not appear. In his place, guitarist and arranger René Hall rushed pianist Al Hazan into the Rendezvous office, which was rigged up as an improvised studio. According to Hazan, "Rod decided to record the first take while I was still trying to practice the piece with the other musicians. Because I was so rushed to learn 'Nut Rocker', I was not happy at all with my performance on that first take. However, in spite of my asking Rod to let me do it over again, he said he liked it just fine the way it was." Released as "Nut Rocker" in February 1962, the record went to # 23 in the US and # 1 in the UK. Del Rio struck a deal with Randy Wood of Dot Records and re-released what they were now calling "(The Original) Nut Rocker" by Jack B. Nimble and the Quicks, but it was not a hit.
Tuesday, 13 November 2018
The Windows Of The World/Walk Little Dolly/(I Never Knew) What You Were Up To/Blowing In The Wind
Dionne Warwick, original name Marie Dionne Warrick, Warwick also spelled Warwicke, (born December 12, 1940, East Orange, New Jersey, U.S.), American pop and rhythm and blues (R&B) singer whose soulful sound earned her widespread appeal. She is perhaps best known for her collaborations with such high-profile artists as Burt Bacharach and Barry Manilow.
Warrick was raised in a middle-class, racially integrated community in East Orange, New Jersey. Her family was both spiritually and musically inclined—her mother managed a renowned gospel choir, the Drinkard Singers, and her father became a gospel record promoter—and Dionne, as everyone called her, began singing in church at a young age. She often played piano or organ for the Drinkard Singers, and she sometimes sang in place of absent adult members. As a teen, she formed a group called the Gospelaires with her sister, Dee Dee. The group enjoyed relative success, singing backup for a number of musicians in local venues and on recordings. Warrick continued to perform with the Gospelaires after enrolling at the Hartt School of the University of Hartford, Connecticut, in 1959. She often made trips to New York to record with the group, and during one of these sessions she met composer and producer Burt Bacharach, who invited her to sing on some demos he was recording with lyricist Hal David. Her singing caught the attention of an executive at Scepter Records, and Warrick was soon signed to the label. In 1962 she released her first single—“I Smiled Yesterday,” with the more popular B side “Don’t Make Me Over”—written and produced by Bacharach and David. Warrick’s surname was misspelled as “Warwick” on the record, and she adopted the mistake as her name thereafter.
Warwick continued to record into the 21st century. Her releases included the gospel album Why We Sing (2008) and two collections of duets, My Friends & Me (2006), on which she sang her old hits with such artists as Cyndi Lauper and Reba McEntire, and Feels So Good (2014), on which her partners included Jamie Foxx and Cee Lo Green. In 2010 she published an autobiography, My Life, As I See It (cowritten with David Freeman Wooley).
Telstar/Red River Rock/The Lonely Bull/Percolator
The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards (initially bass, switched to lead guitar), and Mel Taylor (drums).
Their first wide-release single, "Walk, Don't Run", brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.
The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced a large number of musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.
Leader of the Pack/Remember (Walkin' in the Sand)/ I Can Never Go Home Anymore/Give Him a Great Big Kiss
The Shangri-Las, American girl group whose string of hits in the mid-1960s included the bad-boy anthem “Leader of the Pack” (1964). The group was formed in 1963 by two pairs of sisters: Mary Weiss (b. 1946, Queens, N.Y., U.S.) and Betty Weiss (byname of Elizabeth Weiss; b. 1948, Queens, N.Y.) and twins Margie Ganser (byname of Marguerite Ganser; b. Feb. 4, 1948, Queens, N.Y.—d. July 28, 1996, Valley Stream, N.Y.) and Mary-Ann Ganser (b. Feb. 4, 1948, Queens, N.Y.—d. March 14, 1970, Queens).
Friday, 26 October 2018
Maybe Tomorrow/Brand New Heartache/I Wonder If I Care As Much/Hey Doll Baby
The Everly Brothers were not only among the most important and best early rock & roll stars, but also among the most influential rockers of any era. They set unmatched standards for close, two-part harmonies and infused early rock & roll with some of the best elements of country and pop music. Their legacy was and is felt enormously in all rock acts that employ harmonies as prime features, from the Beatles and Simon & Garfunkel to legions of country-rockers as well as roots rockers like Dave Edmunds and Nick Lowe (who once recorded an EP of Everlys songs together).
Don (born February 1, 1937) and Phil (born January 19, 1939) were professionals way before their teens, schooled by their accomplished guitarist father Ike, and singing with their family on radio broadcasts in Iowa. In the mid-'50s, they made a brief stab at conventional Nashville country with Columbia. When their single flopped, they were cast adrift for quite a while until they latched onto Cadence. Don invested their first single for the label, "Bye Bye Love," with a Bo Diddley beat that helped lift the song to number two in 1957.
"Bye Bye Love" began a phenomenal three-year string of classic hit singles for Cadence, including "Wake Up Little Susie," "All I Have to Do Is Dream," "Bird Dog," "('Til) I Kissed You," and "When Will I Be Loved." The Everlys sang of young love with a heart-rending yearning and compelling melodies. The harmonies owed audible debts to Appalachian country music, but were imbued with a keen modern pop sensibility that made them more accessible without sacrificing any power or beauty. They were not as raw as the wild rockabilly men from Sun Records, but they could rock hard when they wanted. Even their midtempo numbers and ballads were executed with a force missing in the straight country and pop tunes of the era. The duo enjoyed a top-notch support team of producer Archie Bleyer, great Nashville session players like Chet Atkins, and the brilliant songwriting team of Boudleaux and Felice Bryant. Don, and occasionally Phil, wrote excellent songs of their own as well.
Don and Phil's personal lives came under a lot of stress in the early '60s: they enlisted into the Marine Corps Reserves (together), and studied acting for six months but never made a motion picture. More seriously, Don developed an addiction to speed and almost died of an overdose in late 1962. By that time, their career as chart titans in the U.S. had ended; "That's Old Fashioned" (1962) was their last Top Ten hit. Their albums became careless, erratic affairs, which was all the more frustrating because many of their flop singles of the time were fine, even near-classic efforts that demonstrated they could still deliver the goods.
Friday, 19 October 2018
Whole Lotta Shaking Going On/Great Balls Of Fire/High Heel Sneakers/High School Confidential
Jerry Lee Lewis (born September 29, 1935) is an American singer-songwriter, musician, and pianist, often known by his nickname, The Killer. He has been described as "rock & roll's first great wild man."
A pioneer of rock and roll and rockabilly music, Lewis made his first recordings in 1956 at Sun Records in Memphis. "Crazy Arms" sold 300,000 copies in the South, but it was his 1957 hit "Whole Lotta Shakin' Goin' On" that shot Lewis to fame worldwide. He followed this with "Great Balls of Fire", "Breathless" and "High School Confidential". However, Lewis's rock and roll career faltered in the wake of his marriage to his 13-year-old cousin.
Lewis's successes continued throughout the decade and he embraced his rock and roll past with songs such as a cover of the Big Bopper's "Chantilly Lace" and Mack Vickery's "Rockin' My Life Away". In the 21st century Lewis continues to tour around the world and still releases new albums. His album Last Man Standing is his best selling to date, with over a million copies sold worldwide. This was followed by Mean Old Man, which has received some of the best sales of Lewis's career.
Runaround Sue/Dream Lover/The Majestic/ Kansas City
Bridging the era between late-'50s rock and the British Invasion, Dion DiMucci (born July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and R&B styles. Some revisionists have tried to cast him as a sort of early blue-eyed soul figure, although he was probably more aligned with pop/rock, at first as the lead singer of the Belmonts, and then as a solo star. Drug problems slowed him down in the mid-'60s, yet he made some surprisingly interesting progressions into blues-rock and folk-rock as the decade wore on, culminating in a successful comeback in the late '60s, although he was unable to sustain its commercial and artistic momentum for long.
When Dion began recording in the late '50s, it was as the lead singer of a group of friends who sang on Bronx street corners. Billing themselves Dion & the Belmonts (Dion had released a previous single with the Timberlanes), their first few records were prime Italian-American doo wop; "I Wonder Why" was their biggest hit in this style. Dion's biggest single with the Belmonts was "A Teenager in Love," which pointed the way for the slightly self-pitying, pained odes to adolescence and early adulthood that would characterize much of his solo work.
In 1963, Dion moved from Laurie to the larger Columbia label, an association that started promisingly with a couple of big hits right off the bat, "Ruby Baby" and "Donna the Prima Donna." By the mid-'60s, his heroin habit (which he'd developed as a teenager) was getting the best of him, and he did little recording and performing for about five years. When he did make it into the studio, he was moving in some surprisingly bluesy directions; although much of it was overlooked or unissued at the time, it can be heard on the Bronx Blues reissue CD.
Dion continued to be active as the 21st century opened, releasing Déjà Nu in 2000, Under the Influence in 2005, and Bronx in Blue in 2006. His first major-label album since 1989's Yo Frankie, Son of Skip James was released by Verve in 2007, while 2008's Heroes: Giants of Early Guitar Rock saw him tackling 15 songs from the classic rock & roll era. Influenced by a conversation with rock critic Dave Marsh about his long and still relevant career, and a dare from his wife Susan to prove it, Dion cut Tank Full of Blues, producing and playing the guitars himself on the recording and writing or co-writing all but one track on the set. Issued on Blue Horizon, it is the final recording in the trilogy that began with Bronx in Blue.
Dion signed to Instant Records in 2015 and immediately set to recording a new studio album. Entitled New York Is My Home, its first single and title track -- a duet with Paul Simon -- was pre-released in November digitally and as a striking video. The album was issued in the winter of 2016.
Thursday, 11 October 2018
Rockin' Robin/What Kind of Love/Whatcha Gonna Do 'Bout It/When I'm Not There
The Hollies, five-piece rock group from Manchester, England, that enjoyed many hits in the 1960s both before and after losing singer-guitarist Graham Nash to a more-celebrated partnership with David Crosby, Stephen Stills, and Neil Young. The principal members were Allan Clarke (b. April 5, 1942, Salford, Lancashire, England), Graham Nash (b. February 2, 1942, Blackpool, Lancashire), Tony Hicks (b. December 16, 1943, Nelson, Lancashire), Eric Haydock (b. February 3, 1943, Burnley, Lancashire), Bernie Calvert (b. September 16, 1943, Burnley), and Terry Sylvester (b. January 8, 1947, Liverpool, Merseyside).
Like most of their contemporaries in the British beat boom, the Hollies found their earliest influences in American rhythm-and-blues artists. Their first hits in the United Kingdom, in 1963–64, were with cover versions of the Coasters’ “(Ain’t That) Just Like Me” and “Searchin’,” Maurice Williams and the Zodiacs’ “Stay,” and Doris Troy’s “Just One Look.” Under the influence of Bob Dylan, however, their approach broadened, including diluted elements of folk music, to the particular benefit of Clarke.
Wednesday, 3 October 2018
Rollin' and Tumblin'/Bad Luck and Trouble/Broke Down Engine/Black Cat Bone
Johnny Winter was born in Beaumont, Texas, on February 23, 1944. Winter and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Johnny and his brother, both of whom were born with albinism, began performing at an early age. When he was ten years old, the brothers appeared on a local children's show with Johnny playing ukulele.
Winter caught his biggest break in December 1968, when Mike Bloomfield, whom he met and jammed with in Chicago, invited him to sing and play a song during a Bloomfield and Al Kooper concert at the Fillmore East in New York City. As it happened, representatives of Columbia Records (which had released the Top Ten Bloomfield/Kooper/Stills Super Session album) were at the concert. Winter played and sang B.B. King's "It's My Own Fault" to loud applause and, within a few days, was signed to what was reportedly the largest advance in the history of the recording industry at that time—$600,000.
Winter's first Columbia album, Johnny Winter, was recorded and released in 1969. It featured the same backing musicians with whom he had recorded The Progressive Blues Experiment, bassist Tommy Shannon and drummer Uncle John Turner, plus Edgar Winter on keyboards and saxophone, and (for his "Mean Mistreater") Willie Dixon on upright bass and Big Walter Horton on harmonica. The album featured a few selections that became Winter signature songs, including his composition "Dallas" (an acoustic blues, on which Winter played a steel-bodied, resonator guitar), John Lee "Sonny Boy" Williamson's "Good Morning Little School Girl", and B.B. King's "Be Careful with a Fool".
The album's success coincided with Imperial Records picking up The Progressive Blues Experiment for wider release. The same year, the Winter trio toured and performed at several rock festivals, including Woodstock. With brother Edgar added as a full member of the group, Winter also recorded his second album, Second Winter, in Nashville in 1969. The two-record album, which only had three recorded sides (the fourth was blank), introduced a couple more staples of Winter's concerts, including Chuck Berry's "Johnny B. Goode" and Bob Dylan's "Highway 61 Revisited". Also at this time Johnny entered into an intimate, albeit short-lived affair with Janis Joplin, which culminated in a concert at New York's Madison Square Garden, where Johnny joined her on stage to sing and perform.
In 1970, when his brother Edgar released a solo album Entrance and formed Edgar Winter's White Trash, an R&B/jazz-rock group, the original trio disbanded. Johnny Winter then formed a new band with the remnants of the McCoys—guitarist Rick Derringer, bassist Randy Jo Hobbs, and drummer Randy Z (who was Derringer's brother, their family name being Zehringer). Originally to be called "Johnny Winter and the McCoys", the name was shortened to "Johnny Winter And", which was also the name of their first album. The album included Derringer's "Rock and Roll, Hoochie Koo" and signaled a more rock-oriented direction for Winter. When Johnny Winter And began to tour, Randy Z was replaced with drummer Bobby Caldwell. Their mixture of the new rock songs with Winter's blues songs was captured on the live album Live Johnny Winter And. It included a new performance of "It's My Own Fault", the song which brought Winter to the attention of Columbia Records.
Winter was professionally active until the time of his death near Zurich, Switzerland, on July 16, 2014. He was found dead in his hotel room two days after his last performance, at the Cahors Blues Festival in France on July 14, at the age of 70. The cause of Winter's death was not officially released. According to his guitarist friend and record producer Paul Nelson, Winter died of emphysema combined with pneumonia.