Saturday, 21 October 2017
It's A Man's Man's Man's World/I Got You/Lost Someone/Night Train
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, record producer, dancer, organist and bandleader. A progenitor of funk music and a major figure of 20th century popular music and dance, he is often referred to as the "Godfather of Soul". In a career that spanned six decades, he influenced the development of several music genres.
Brown began his career as a gospel singer in Toccoa, Georgia. He joined an R&B vocal group, the Gospel Starlighters (which later evolved into the Flames), in which he was the lead singer. First coming to national public attention in the late 1950s as a member of the singing group The Famous Flames with the hit ballads "Please, Please, Please" and "Try Me", Brown built a reputation as a tireless live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra. His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World".
During the late 1960s he moved from a continuum of blues and gospel-based forms and styles to a profoundly "Africanized" approach to music-making that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". He also became noted for songs of social commentary, including the 1968 hit "Say It Loud – I'm Black and I'm Proud". Brown continued to perform and record until his death from congestive heart failure in 2006.
Brown recorded 16 singles that reached number one on the Billboard R&B charts. He also holds the record for the most singles listed on the Billboard Hot 100 chart which did not reach number one. Brown has received honors from many institutions, including inductions into the Rock and Roll Hall of Fame and Songwriters Hall of Fame. In Joel Whitburn's analysis of the Billboard R&B charts from 1942 to 2010, James Brown is ranked as number one in The Top 500 Artists. He is ranked seventh on the music magazine Rolling Stone's list of its 100 greatest artists of all time. Rolling Stone has also cited Brown as the most sampled artist of all time.
Thursday, 19 October 2017
Hooray For Hazel/Pretty Flamingo/Where Were You When I Needed You/Wild Thing
Thomas David "Tommy" Roe (born May 9, 1942, Atlanta, Georgia) is an American pop music singer-songwriter.
Best-remembered for his hits "Sheila" (1962) and "Dizzy" (1969), Roe was "widely perceived as one of the archetypal bubblegum artists of the late 1960s, but cut some pretty decent rockers along the way, especially early in his career", wrote the Allmusic journalist Bill Dahl.
Roe was raised in Atlanta where he attended Brown High School. After graduating, he landed a job at General Electric soldering wires.
Roe guest-starred in an episode of the American sitcom, Green Acres, called "The Four of Spades", which first aired on 8 November 1969, one week to the day before the Hot 100 debut of his final Top 10 single, a track co-written with Freddy Weller, "Jam Up and Jelly Tight", which became his fourth gold record, peaking at number 8 in the U.S. and number 5 in Canada.
Although his style of music declined in popularity with the 1970s mass market, Roe maintained a following and continued to perform at a variety of concert venues, sometimes with 1960s nostalgia rock and rollers such as Freddy Cannon and Bobby Vee. In 1986 Roe was inducted into the Georgia Music Hall of Fame, and his pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
Friday, 6 October 2017
Maggie's Farm/Ain't it tuff/Diddy Wah Diddy/Backdoor Man
The Blues Band is a British blues band formed in 1979 by Paul Jones, former lead vocalist and harmonica player with Manfred Mann, and vocalist/slide guitarist Dave Kelly, who had previously played with the John Dummer Blues Band, Howlin' Wolf and John Lee Hooker. The band’s first line-up also included bassist Gary Fletcher, guitarist Tom McGuinness (also of Manfred Mann) and drummer Hughie Flint, (the two had previously formed McGuinness Flint). In 1982 Flint left and was replaced by former Family drummer Rob
Their first album The Official Blues Band Bootleg Album, a mixture of blues standards and original songs featured the Jones and McGuinness composition "Come On In" and their long-standing stage favourite "Flatfoot Sam". This album initially attracted no interest from major record companies, so the band pressed a limited run of 3,000, hand-stamped their logo on the cardboard sleeve and signed them all. After unqualified endorsement from BBC Radio 1 presenter Simon Bates and others, media interest resulted in a recording contract with Arista Records, who re-released the album under the same title. After that they released Ready, Itchy Feet and Brand Loyalty albums and regularly toured through Europe.
They briefly disbanded after recording a live album Bye Bye Blues (1983), but reformed soon afterwards. In the new millennium they recorded albums such as Stepping Out (2002) and Thank You Brother Ray (2004), which paid tribute to Ray Charles. Now in their thirty seventh year as a band, they still perform across Europe with the same line-up.
Dance Little Lady Dance/Dr. Love/I Love To Love/Rendezvous
Tina Charles (born 10 March 1954) is an English singer who achieved success as a disco artist in the mid to late 1970s. Her most successful single was the no. 1 hit "I Love to Love (But My Baby Loves to Dance)" in 1976.
Born Tina Hoskins in Whitechapel, London, to Charles Hoskins who worked in a box making factory in Bow, London, England and his wife Hilda, she recovered from meningitis as a newborn. She has a brother, Warren, who was her tour manager for a time during the height of her career.
On launching her music career, she did not use her real name, Hoskins, since this might have caused confusion with Mary Hopkin, better known at the time. She chose "Charles", as it was her father's name.
In 1975 Charles and her friend Linda Lewis were backing vocalists on the Steve Harley & Cockney Rebel chart topping song, "Make Me Smile (Come Up and See Me)". She provided the lead vocals for 5000 Volts' 1975 disco hit single "I'm on Fire". Although not publicly acknowledged as a group member at the time due to contractual problems, Charles was considered to have a stronger voice than the group's later official lead singers. The song reached number 4 in the UK Singles Chart, and 26 in the Billboard Hot 100.
Biddu's collaboration continued on a future album and another song hit: "Dance Little Lady Dance". In total, Charles spent 42 weeks on the UK Singles Chart in 1976 alone, mainly due to these two records. During this time, her touring band included Trevor Horn and Geoff Downes, who would later go on to find success as the Buggles, then as members of Yes, and later as a top record producer (Horn) and founding member of Asia (Downes).
Further hits like "Love Me Like a Lover", "Dr Love", "Rendezvous" and "Love Bug" made her a pop star in Europe, Asia, Australia and New Zealand, but she was never able to achieve success in the US. Her only solo recording to chart significantly in the US was "You Set My Heart on Fire," which reached number 3 on Record World's 'Disco File Top 20' chart in the autumn of 1975.
In 1978, Charles was a joint winner at the World Popular Song Festival held in Tokyo, performing the tune, "Love Rocks". Charles represented the UK, and shared the top prize with Japan's own entry.
Since 2000, Charles has performed throughout Europe where disco music and her hit singles have been reappraised, and she has become a popular live performer. Charles featured in the Top 5 of the US Hot Dance Music/Club Play chart with "Higher" in 2006. The song was produced by longtime friend and associate Sanny X. She made a guest appearance with The Producers at their 2007 concert, singing "Slave to the Rhythm". In October 2007, Charles recorded "Hide and Seek" with producer Ian Levine for the album Disco 2008. Her latest album, Listen 2 the Music was released in March 2008.
It has also been announced that Charles is set to embark on a live tour with 5000 Volts, the band with which she experienced her first hit record.
Thursday, 5 October 2017
'Antmusic'/Stand And Deliver/Prince Charming/Goody Two Shoes
One of the seminal figures of new wave, Adam Ant (born Stuart Leslie Goddard) had several distinct phases to his career. Initially, he explored jagged, guitar-oriented post-punk with his group Adam and the Ants before giving way to a more pop-oriented, glam-tinged musical direction that brought him to the top of the charts. After that had run its course, he refashioned himself as a mainstream singer, which enabled him to stretch his career out for a couple of years. Once it seemed like his musical career had evaporated, he made an unexpected comeback in the early '90s as an adult alternative artist. During all this time, he recorded several great pop singles and had a surprisingly large impact on alternative rock.
At the time of its release, Dirk Wears White Sox wasn't a critical or a commercial success and the band felt the need to rework their image. Ant hired Malcolm McLaren, the manager of the Sex Pistols, to help redefine their image. McLaren dressed the band in pirate outfits and suggested a more accessible and pop-oriented rhythmic variation on punk. Adam and the Ants followed his advice, preparing material for a new album. However, McLaren persuaded all of the Ants to leave Adam, using them as the core members of Bow Wow Wow. Adam Ant immediately formed a new version of the Ants, adding guitarist Marco Pirroni, bassist Kevin Mooney, and drummers Terry Lee Miall and Merrick (born Chris Hughes). Pirroni, in particular, became very important in the band's musical direction, co-writing the majority of the songs with Ant, thus beginning a collaboration between the duo that would continue into the '90s.
After Prince Charming, Adam Ant ditched the Ants for a solo career, retaining Marco Pirroni as a songwriting collaborator and a supporting musician. Ant's first solo album, Friend or Foe, was released in 1982 and featured the number one single "Goody Two Shoes" and the Top Ten title track. Although his next album, 1983's Strip, had some highlights and hit singles, it marked the end of his reign as one of Britain's top pop stars.
By the time Ant returned to recording in 1995, echoes of his music could be heard in the spiky singles of Elastica, the neo-goth industrial rock of Nine Inch Nails, and the pseudo-glam of Suede. Instead of capitalizing on the burgeoning new wave revival, Adam Ant's 1995 comeback, Wonderful, had little to do with the stylish, intensely rhythmic sound he made in the early '80s. Instead, the album repositioned him as a more mature pop/rocker, with crafted songs that featured acoustic guitars as prominently as electrics. The album was a moderate hit in the U.S. and the U.K., as was the single "Wonderful."
Star Child/Sink Or Swim/Playtime/I'm Drowning
Junior's Eyes was a British group led by guitarist Mick Wayne (born Michael Wayne, 1945, Kingston upon Hull - died 26 June 1994), which recorded one album and is notable for acting as David Bowie's backing band during 1969.
Mick Wayne's first group was 'The Outsiders', with Jimmy Page on guitar. After recording one single for Decca Records in 1965, the Outsiders broke up the following year at which point Wayne joined Hull musicians 'The Hullaballoos', replacing Ricky Knight briefly before they too broke up. He made an attempt to form a new line-up in Hull with drummer John Cambridge but soon returned to London (Cambridge later joined Hull band 'The Rats', with guitarist Mick Ronson). Wayne next joined the 'Bunch of Fives' (including ex-Pretty Things drummer Viv Prince) during 1966 and this band evolved into 'The Tickle', with band members Mick Wayne (guitar), Mike Docker (vocals), Dave Williams (keyboards), Richard Dowling (bass) and John Beckerman (drums). The Tickle's only single - "Subway (Smokey Pokey World)" - has appeared on many psychedelic compilation albums, including Acid Drops, Spacedust & Flying Saucers: Psychedelic Confectionery.
That same month, Mick Wayne and Rick Wakeman were among the guest musicians who recorded David Bowie's breakthrough hit "Space Oddity". For the follow-up Space Oddity album recorded between June and September 1969, Bowie and producer Visconti were backed by a new line-up of Junior's Eyes comprising Mick Wayne (guitar), John 'Honk' Lodge (bass), John Cambridge (drums) and Tim Renwick (guitar, flute, recorder). The same band backed Bowie on a BBC Radio Dave Lee Travis Show session in October 1969, and (without Wayne) on single B-side "Conversation Piece", recorded in January 1970. Wayne had also helped record James Taylor's debut album between July and October 1968, and Honk had played on the album Think Pink (track "Rock and Roll the Joint") by Pretty Things drummer Twink in July 1969. These recording session for other artists disrupted the progress of the band, and the new line-up recorded only one single. They played their final gig on 3 February 1970, supporting Bowie. At this gig Cambridge introduced Bowie to his former 'Rats' bandmate Mick Ronson, and within days Cambridge, Ronson and Visconti (playing bass) were Bowie's new backing band 'The Hype', but Cambridge departed at the end of March.
Love Is Blue/Puppet On A String/Love In Every Room/The Spring (La Source)
Paul Mauriat 4 March 1925 – 3 November 2006) was a French orchestra leader, conductor of Le Grand Orchestre de Paul Mauriat, who specialized in the easy listening genre. He is best known in the United States for his million-selling remake of André Popp's "Love is Blue", which was #1 for 5 weeks in 1968. Other recordings for which he is known include El Bimbo, "Toccata," "Love in Every Room/Même si tu revenais," and "Penelope."
Mauriat was born and grew up in Marseille, France. His father was a postal inspector who loved to play classical piano and violin. Mauriat began playing music at the age of four and enrolled in the Conservatoire in Marseille at the age of 10, but by the time he was 17, he had fallen in love with jazz and popular music. During World War II, Mauriat started his own dance band and toured concert halls throughout Europe. In the 1950s, he became musical director to at least two well-known French singers, Charles Aznavour and Maurice Chevalier, touring with them respectively.
In 1957, Mauriat released his first EP Paul Mauriat, a four track RGM release. Between 1959–1964 Mauriat recorded several albums on the Bel-Air record label under the name Paul Mauriat et Son Orchestre, as well as using the various pseudonyms of Richard Audrey, Nico Papadopoulos, Eduardo Ruo, and Willy Twist, to better reflect the international flavour of his recordings. During this period, Mauriat also released several recordings with Les Satellites, where he creatively arranged vocal backing harmony for such albums as Slow Rock and Twist, (1961), A Malypense (1962) and Les Satellites Chantent Noel (1964).
Mauriat composed the music for several French movie soundtracks (also released on Bel-Air), including Un Taxi Pour Tobrouk (1961), Horace 62 (1962) and Faites Sauter La Banque (1964).
Between 1967 and 1972, he wrote numerous songs with André Pascal for Mireille Mathieu; Mon Crédo (1,335,000 copies sold), Viens dans ma rue, La première étoile, Géant, etc.—to name but a few—and contributed 130 song arrangements for Charles Aznavour.
In 1965, Mauriat established Le Grand Orchestre de Paul Mauriat, and released hundreds of recordings and compilations through the Philips label for the next 28 years. In 1994, he signed with Japanese record company Pony Canyon, where he re-recorded some of his greatest hits and wrote new compositions. Mauriat recorded many of these albums in both Paris and London, utilising several English classical musicians in these recordings.
In 1968, his late 1967 cover of the André Popp/Pierre Cour tune “L’amour est bleu” (“Love Is Blue”) became a number 1 hit in the US. The song spent five weeks at the top of the charts. Two other Mauriat singles also made the charts in the US —“Love in Every Room/Même si tu revenais” (recorded in 1965; charted in 1968) and the title theme from the movie "Chitty, Chitty, Bang, Bang". “Love Is Blue” was the first instrumental to hit number 1 on the Billboard charts since the Tornados hit with “Telstar” in 1962 and the only American number-one single to be recorded in France. The success of the song and the album on which it appeared, Blooming Hits, established Mauriat as an international recording star.
In 1969, Mauriat started his first world tour with his Grand Orchestra, visiting countries like the United States, Canada, Japan, South Korea, Brazil and other Latin American countries.
Paul Mauriat's phenomenon in Japan started in beginning of 1970s. He is only international artist who played two sold-out shows in one day at the famous arena Nippon Budokan in Tokyo.
For several decades, some of Mauriat's compositions served as musical tracks for Soviet television programmes and short movies, such as the 1977 animated Polygon (film), "In the world of animals" (V mire zhivotnykh) and "Kinopanorama", among others.
Paul Mauriat died on 3 November 2006 in Perpignan, France, age 81.. After his death, The Paul Mauriat Grand Orchestra also ceased to exist.
Sweet Lady Mary/Had Me A Real Good Time/Memphis/Wicked Messenger
Faces were an English rock band formed in 1969 by members of Small Faces after lead singer/guitarist Steve Marriott left that group to form Humble Pie. The remaining Small Faces Ian McLagan (keyboards), Ronnie Lane (bass guitar), and Kenney Jones (drums and percussion)—were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from The Jeff Beck Group, and the new line-up was renamed Faces.
The first collaboration among the future Faces was in a formation called Quiet Melon, which also featured Wood's older brother Art Wood and Kim Gardner; they recorded four songs and played a few shows in May 1969, during a break in Ronnie Wood's and Rod Stewart's commitments with The Jeff Beck Group. Later that summer Wood and Stewart parted ways with Beck and joined Lane, McLagan and Jones full-time. Prior to any releases by the new Faces lineup, Wood and McLagan appeared on Stewart's first solo album in 1969, An Old Raincoat Won't Ever Let You Down (known as The Rod Stewart Album in the US). The rest of the backing band on the album included drummer Micky Waller, keyboardist Keith Emerson and guitarists Martin Pugh (of Steamhammer, and later Armageddon and 7th Order) and Martin Quittenton (also from Steamhammer).
With the addition of Wood and Stewart, the "small" part of the original band name was dropped, partly because the two newcomers (at 5'9" and 5'10" respectively) were significantly taller than the three former Small Faces. Hoping to capitalise on the Small Faces' earlier success, record company executives wanted the band to keep their old name; however, the band objected, arguing the personnel changes resulted in a group very different from the Small Faces. As a compromise, in the US their debut album was credited to the Small Faces, while subsequent albums appeared under their new name.
The group regularly toured Britain, Europe and the United States from 1970 to 1975, and were among the top-grossing live acts in that period, in 1974 their touring also encompassed Australia, New Zealand and Japan. Among their most successful songs were "Had Me a Real Good Time", their breakthrough UK hit "Stay with Me", "Cindy Incidentally" and "Pool Hall Richard". As Rod Stewart's solo career became more successful than that of the group, the band became overshadowed by their lead singer. A disillusioned Ronnie Lane left the band in 1973 one reason given later for his departure was frustration over not having more opportunities to sing lead vocals.
The following year a live album was released, entitled Coast to Coast: Overture and Beginners; it was criticised by reviewers for being poorly recorded and thought out. It featured selections from their late 1973 tour, the first featuring Yamauchi. They recorded a few tracks for another studio album, but had lost enthusiasm and their final release as a group was the late 1974 UK Top 20 hit "You Can Make Me Dance, Sing or Anything". In 1975 Wood began working with the Rolling Stones, which brought differences between Stewart and the others to a head, and after a troubled fall US tour (with Jesse Ed Davis on rhythm guitar), in December the band announced that they were splitting.
Thursday, 21 September 2017
I Can't Help Myself/Memphis/Do You Want To Dance/The Way We Live
Rivers was born as John Henry Ramistella in New York City, of Italian ancestry. His family moved from New York to Baton Rouge, Louisiana. Influenced by the distinctive Louisiana musical style, Rivers began playing guitar at age eight, taught by his father and uncle. While still in junior high school, he started sitting in with a band called the Rockets, led by Dick Holler, who later wrote a number of hit songs, including "Abraham, Martin and John" and the novelty song, "Snoopy vs. the Red Baron".
Ramistella formed his own band, the Spades, and made his first record at 14, while he was a student at Baton Rouge High School. Some of their music was recorded on the Suede label as early as 1956. On a trip to New York City in 1958, Ramistella met Alan Freed, who advised him to change his name to "Johnny Rivers" after the Mississippi River, which flows through Baton Rouge. Freed also helped Rivers gain several recording contracts on the Gone label. From March 1958 to March 1959, Johnny Rivers released three records which did not sell well.
In 1958, Rivers met fellow Louisianan, James Burton, a guitarist in a band led by Ricky Nelson. Burton later recommended one of Rivers' songs, "I'll Make Believe", to Nelson who recorded it. They met in Los Angeles in 1961, where Rivers subsequently found work as a songwriter and studio musician. His big break came in 1963, when he filled in for a jazz combo at Gazzarri's, a nightclub in Hollywood, where his instant popularity drew large crowds.
In 1963, Rivers began working with writers P.F. Sloan and Steve Barri on a theme song for the American broadcast of a British television series Danger Man, starring Patrick McGoohan. At first Rivers balked at the idea but eventually changed his mind. The American version of the show, titled Secret Agent, went on the air in the spring of 1965. The theme song was very popular and created public demand for a longer single version. Rivers' recording of "Secret Agent Man" reached #3 on the Billboard Hot 100 chart in 1966. It sold one million copies, also winning gold disc status.
Rivers continued to record more hits covering other artists, including "Baby I Need Your Lovin'" released by the Four Tops, and "The Tracks of My Tears" by the Miracles, both going Top 10 in 1967. In 1968, Rivers put out Realization, a #5 album that included the #14 pop chart single "Summer Rain", written by a former member of the Mugwumps, James Hendricks. The album included some of the psychedelic influences of the time and marked a subtle change in Rivers' musical direction, with more introspective songs including "Look To Your Soul" and "Going Back to Big Sur".
Rivers' last Top 10 entry was his 1977 recording of "Swayin' to the Music (Slow Dancing)" originally released by Funky Kings and written by Jack Tempchin. Rivers' last Hot 100 entry, also in 1977, was "Curious Mind (Um, Um, Um, Um, Um, Um)," originally released by Major Lance and written by Curtis Mayfield. In addition, Rivers recorded the title song for the late night concert-influenced TV show The Midnight Special.
Tuesday, 12 September 2017
Sounds of Silence/I Am A Rock/Kathy's Song/A Most Peculiar Man
Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the best-selling music groups of the 1960s and became counterculture icons of the decade's social revolution, alongside artists such as the Beatles, the Beach Boys, and Bob Dylan. Their biggest hits—including "The Sound of Silence" (1964), "Mrs. Robinson" (1968), "The Boxer" (1969), and "Bridge over Troubled Water" (1970)—reached number one on singles charts worldwide.
Their often rocky relationship led to artistic disagreements, which resulted in their breakup in 1970. Their final studio record, Bridge over Troubled Water (released in January of that year), was their most successful, becoming one of the world's best-selling albums. Since their split in 1970 they have reunited several times, most famously in 1981 for, "The Concert in Central Park", which attracted more than 500,000 people, the seventh-largest concert attendance in history.
After their 1970 breakup following the release of Bridge over Troubled Water, they both continued recording, Simon releasing a number of highly acclaimed albums, including 1986's Graceland. Garfunkel also briefly pursued an acting career, with leading roles in two Mike Nichols films, Catch-22 and Carnal Knowledge, and in Nicolas Roeg's 1980 Bad Timing, as well as releasing some solo hits such as "All I Know".
Simon & Garfunkel won 10 Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 1990, and their Bridge over Troubled Water album was nominated at the 1977 Brit Awards for Best International Album. It is ranked at number 51 on Rolling Stone's 500 Greatest Albums of All Time. "The Sound of Silence", originally "The Sounds of Silence", is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over a period of several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the song was recorded in March 1964 at Columbia Studios in New York City for inclusion on their debut album, Wednesday Morning, 3 A.M..
The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being "culturally, historically, or aesthetically important" in 2013 along with the rest of the Sounds of Silence album.
Leaning On The Lamp Post/All The Things I Do For You Baby/Where Were You When I Needed You/Wild Love
Hold On! by Herman's Hermits is the band's third album and was released in the United Kingdom by EMI/Columbia
It is the soundtrack album to a 1966 film featuring Herman's Hermits and Shelley Fabares, Hold On!
The producers had recruited Fred Karger, a Hollywood composer who had served as music director of the group's previous movie, When the Boys Meet the Girls, to write the songs for the movie. In an interview on a television documentary on The British Invasion, Peter Noone recalled that the original title of the film was There's No Place Like Space, for which Karger had written the theme song. However, the group and their manager Mickie Most agreed that the song wasn't right for them and, instead, asked co-star Shelley Fabares' then-husband, record producer Lou Adler, for help. Adler recommended songwriter P.F. Sloan to compose the title track for the film. Sloan's recollection was that the film was to be renamed A Must to Avoid, and he wrote a song for that title, with some contributions from his writing partner Steve Barri. When the studio vetoed that title, the film was then retitled Hold On! after another one of Sloan's songs.
Ultimately, the ten-song US soundtrack album included five songs written by Karger, including the lone song sung by Fabares, four songs written by Sloan/Barri, and one Hermits cover of a 1937 British music hall song. The six-song UK EP used all four Sloan/Barri songs and just two of the Karger songs.
"A Must to Avoid" and a re-recorded version of "Leaning on a Lamp Post" both reached the Billboard Top 10 as singles in the US, and "Hold On!" was a B-side. "A Must to Avoid" was also a top 10 hit in the UK. "Leaning on a Lamp-post" is a popular song written by Noel Gay and best known in the version by George Formby. A version by Herman's Hermits, credited as "Leaning on the Lamp Post", reached No. 9 on the US Hot 100 in 1966.
Pipeline/Move It/Runaway/Sleep Walk
The Chantays are a surf rock band from Orange County, California, USA, known for the hit instrumental, "Pipeline" (1963). Their music combines electronic keyboards and surf guitar, creating a unique ghostly sound.
The Chantays were formed in 1961 when five high-school friends decided to start their own band. Bob Spickard, Brian Carman (co-writers of "Pipeline"), Bob Welch, Warren Waters and Rob Marshall were all students at Santa Ana High School in California, when a local group called the Rhythm Rockers inspired the five to form the Chantays. In December 1962, the group recorded and released "Pipeline", which eventually peaked at No. 4 on the Billboard Hot 100 in May 1963. The track also peaked in the UK Singles Chart in 1963 at No. 16. The Chantays recorded their first album in 1963, also titled Pipeline, which included "Blunderbus" and "El Conquistador". Their follow-up album was Two Sides of the Chantays in 1964.
"Pipeline" (published as sheet music in 1962 by Downey Music Publishing) has become one of several surf rock hits. The tune has since been covered by Bruce Johnston, Welk (on the Dot album Scarlet O'Hara), Al Caiola (on the United Artists album Greasy Kid Stuff), the Ventures, Takeshi Terauchi & Blue Jeans, Agent Orange, Hank Marvin, Lively Ones, Pat Metheny, Dick Dale with the help of Stevie Ray Vaughan (Grammy Nominated), by the thrash metal band Anthrax, Bad Manners, and Johnny Thunders. "Pipeline" has also been featured in many films, television programs and commercials. It also appears on numerous compilation albums.
The Chantays have been honored for their contributions to music. Some of the highlights include being honored on April 12, 1996 by Hollywood's Rock Walk, that was founded to honor individuals and bands that have made lasting and important contributions to music. "Pipeline" is listed as one of the 500 Songs that Shaped Rock and Roll. Along with Bill Medley of the Righteous Brothers and Diane Keaton, the Chantays were honored by the City of Santa Ana, California, and Santa Ana High School when they named a street after them, Chantays Way. OC Weekly Magazine also named the Chantays as one of the Best Orange County Bands.
Brian Carman died at his home in Santa Ana, California from complications of Crohn's disease on March 1, 2015. He was 69.
Reflections/Forever Came Today/Time Changes Things/Love Child
The Supremes were an American female singing group and the premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.
Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit, formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.
"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, Diana Ross & the Supremes, and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H). The song is also among the final singles to feature Florence Ballard, who recorded vocals for this song during one of her last studio sessions before she was fired on July 1. It peaked at number-two on the United States Billboard Hot 100 pop singles chart and number-five on the United Kingdom UK Singles Chart in September 1967.
Release and reception
"Reflections" peaked during the late summer and early fall of 1967. Making the highest debut on US Billboard pop chart the week of August 6, the song reached #2 the week ending September 9, 1967. Verging on being the group's 11th American number-one single, "Reflections" stalled at the penultimate position for two weeks behind Bobbie Gentry's "Ode to Billie Joe," which Diana Ross rerecorded as a solo for the Reflections album. The single also peaked concurrently in the UK at #5.
The first nationally televised performance to feature Ballard's replacement, Cindy Birdsong, as a member of The Supremes on American television, now billed "Diana Ross & the Supremes," was on the ABC variety program The Hollywood Palace, airing Tuesday, September 26, 1967.
The record took just three weeks to reach the Top Ten of the Billboard Hot 100 pop chart, which it then topped for two weeks, November 30—December 7, 1968, before being dethroned by an even bigger Motown single, Marvin Gaye's "I Heard It Through the Grapevine". "Love Child" also performed well on the soul chart — where it spent three weeks at number two (stuck behind Johnnie Taylor's "Who's Making Love") — and paved new ground for a major pop hit with its then-controversial subject matter of illegitimacy. It is also the single that finally knocked the Beatles' "Hey Jude" off the top spot in the United States after its nine-week run. The Supremes debuted the dynamic and intense song on the season premiere of the CBS variety program The Ed Sullivan Show on Sunday, September 29, 1968. In Billboard's special 2015 chart of the Top 40 Biggest Girl Groups of All Time on the Billboard Hot 100, "Love Child" ranked highest among the Supremes' six entries.
Sunday, 23 July 2017
Green River/Commotion/Bootleg/Good Golly Miss Molly
"Green River" is a song by American rock band Creedence Clearwater Revival. The song was written by John Fogerty and was released as a single in July 1969, one month before the album of the same name was released.
The song "Green River" was based on a vacation spot for John Fogerty. In an interview Fogerty gave to Rolling Stone in 2012, Fogerty stated:
What really happened is that I used a setting like New Orleans, but I would actually be talking about thing from my own life. Certainly a song like "Green River" – which you may think would fit seamlessly into the Bayou vibe, but it's actually about the Green River, as I named it – it was actually called Putah Creek by Winters, California. It wasn't called Green River, but in my mind I always sort of called it Green River. All those little anecdotes are part of my childhood, those are things that happened to me actually, I just wrote about them and the audience shifted at the time and place.
Fogerty added that the "actual specific reference, 'Green River,' I got from a soda pop-syrup label... My flavor was called Green River
"Green River" was certified gold (500,000 units sold) by the Recording Industry Association of America on December 13, 1990.
Wednesday, 19 July 2017
Like A Baby/Happiness/Will You Love Me Tomorrow/Don't Throw Your Love Away
Born and raised in Philadelphia, Barry had little thought of a show business career while still in school. Instead, he aspired to become a professional basketball player upon his graduation. It was not until he entered military service and had occasion to sing with the US Coast Guard band at Cape May, New Jersey, and was so encouraged by the response of his military audiences, that he decided to make music a career.
Upon his discharge from military service, Barry returned home to Philadelphia and formed the Dovells, he was their lead singer. His is the lead voice on all their best selling records "Bristol Stomp", "Hully Gully Baby", and "You Can't Sit Down", among others. "Bristol Stomp" sold over one million copies, and was awarded a RIAA gold disc. As a Dovell, he also toured with James Brown. Barry also made film appearances with the Dovells in films such as Don't Knock the Twist, toured the UK with the Motown Revue. Barry also had guest appearances on US television on "Bandstand" and later American Bandstand, Shindig, and Hullabaloo. Soon after leaving the group, Barry recorded his first solo single "Lip Sync".
As someone who sang rhythm and blues, he recorded hits in 1965 and 1966 for Decca Records in the US and released by Brunswick Records: "1-2-3", "Like a Baby", and "I Struck It Rich", a song he wrote with Leon Huff of the Philadelphia International Records producers, Gamble and Huff.
His first two hits also made the Top Ten of the UK Singles Chart. "1-2-3" reached number three. Those songs also peaked at number 2 and 27 on the US Billboard Hot 100 chart respectively. "1-2-3" sold over four million copies, and gave Barry his second RIAA gold disc and a Grammy Award nomination for Contemporary Rock & Roll Male Vocal Performance. Both "1-2-3" and "Like a Baby" were composed by Barry, John Madara, and David White (musician).
He has performed at the Apollo Theatre in New York; the Howard Theatre in Washington, D.C.; The Regal Chicago, Chicago; Illinois; The Fox Theatre (Detroit) in Detroit, Michigan; and The Uptown (Philadelphia), Philadelphia, Pennsylvania. He also toured with Sam Cooke, The Motown Revue in the United Kingdom, and appeared on Top of the Pops.
Barry's respect of the Native American culture led him to write and produce the instrumental "Keem-O-Sabe". The song went to number 16 on the Billboard Hot 100 in 1969.
He also did writing and production work with WMOT Productions. With Bobby Eli he helped write the hit singles "Zoom" for Fat Larry's Band, and "Love Town" for Booker Newberry III.
In May 2008, Barry reinvented himself as an author with the publication of novel, Black-Like-Me. The storyline involved a pair of Caucasian siblings growing up in a largely African-American neighborhood, accepted by some, rejected by others.