Monday 27 June 2022

Nichelle Nichols - 1974 - Dark Side of the Moon FLAC


 Dark Side of the Moon/.It's Been On My Mind/ Starry-Eyed/Let's Trip

 

 Nichelle Nichols (/nɪˈʃɛl/ born Grace Dell Nichol,; December 28, 1932) is an American actress, singer and dancer best known for her portrayal of Nyota Uhura in Star Trek: The Original Series, and its film sequels. Nichols' portrayal of Uhura was ground-breaking for African American female characters on American television. From 1977 until 2015, Nichols volunteered her time to promote NASA's programs, and to recruit diverse astronauts, including women and ethnic minorities. Nichols has released two music albums. Down to Earth is a collection of standards released in 1967, during the original run of Star Trek.[29] Out of This World, released in 1991, is more rock oriented and is themed around Star Trek and space exploration. She sang with the Duke Ellington Orchestra and Lionel Hampton. As Uhura, she sang songs in Star Trek episodes "Charlie X" and "The Conscience of the King".

Side A opens with the title-track, a song written by Nichelle' second husband Duke Mondy, who is credited as "Duke Monday". With some Moog effects layered in for that spacey feeling, it is a pretty good example of the kind of Exotica-flavored Lounge Croon Soul that the EP contains. The lyrics poetically describe the coldness and aridity of the hidden side of our only satellite.
"It's Been On My Mind" was written again by Mondy along with Nichelle Nichols. The song starts with a spoken introduction before exploding in a rich Soul number with effective backing vocals appearing during the refrain and cool horns scattered here and there.
On Side B we find "Starry-Eyed", another spacey number written by producer Eddie Singleton along with one Dorothy Goodman who I wasn't able to trace back. The song offers more synthesizers than any other on the EP, along with elegant touches of jazzy guitars in the middle section and inspired vocals.
The frenetic "Let's Trip", once again written by Eddie Singleton, ends the record with an agitated vocal performace where Nichelle sighs, wheezes, hints, shouts, laughs and moans on the top - or better, over the top - of a repetitive walking bassline, chorus and complex full-instrumentation arrangement.

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