Solomon Bourke - 1968 - Detroit City FLAC

Detroit City/It's Been A Change/Take Me (Just As I Am)/I Stayed Away Too Long



 
Soul-R&B pioneer Solomon Burke never gained the level of fame afforded to contemporaries James Brown, Al Green, Wilson Pickett, Otis Redding, or Sam Cooke. Rather, artists such as the Rolling Stones, Otis Redding, and the Blues Brothers introduced him to a wider audience through their cover versions.

The Stones’ early versions of “Cry to Me” and “Everybody Needs Somebody to Love” especially stand out. In fact, the former appeared over 20 years later in the 1987 blockbuster Dirty Dancing, garnering renewed interest in the singer.

Born above Philadelphia’s Solomon’s Temple church, Burke was an ordained minister throughout his life as well as a mortician. He certainly led a very colorful life, as evidenced by a revealing Rolling Stone profile. Always full of life, the singer never actually slowed down even in the face of obvious weight gain and immobility, recording, touring, and often preaching from the pulpit of his Los Angeles church, the House of Prayer for All People and World Wide Center for Life and Truth (the church must have a wide sign). He passed away suddenly on Oct. 10, 2010, of natural causes after arriving in Switzerland by jet for a live performance with Dutch rock band De Dijk. Hold on Tight, a final, collaborative studio album featuring the decidedly odd couple, was ultimately released one year later.

 

In his 70 years on Earth, Burke wrote many songs and had his fair share of hits, albeit unfairly relegated to the R&B charts. Critics and soul aficionados have regularly called Burke one of the greatest singers of his generation, dubbing him “The King of Rock & Soul.” Burke’s vocals always possessed a ‘You’ve got to be born with ‘em’ gospel undertone. Even on soul numbers like “I Feel a Sin Coming On” and “Meet Me in Church,” the listener feels as if they’re hearing a gospel song straight from the Lord’s altar.

Burke wasn’t strictly pigeon-holed as a soul music interpreter. During his early Atlantic years, the singer was usually backed by a full orchestra with a decidedly pop sound, vocally resembling Sam Cooke on his first Atlantic single in 1961, the non-charting, yet very charming “Keep the Magic Working.” Burke was a masterful interpreter of pop standards, including one of his most neglected performances, a 1969 rendition of “That Lucky Old Sun,” which idiosyncratic Beach Boys founder Brian Wilson revived almost 40 years later.

Though not well-known as a social protest singer, Burke still left his mark with versions of “I Wish I Knew (How It Would Feel to Be Free)” and Elvis Presley’s “In the Ghetto.” And as soon as he began recording, Burke set himself apart from his peers by tackling country standards, including “I Really Don’t Want to Know,” “He’ll Have to Go,” “Detroit City,” and “We’re Gonna Hold On,” the latter taken from the appropriately titled Nashville released late in the artist’s career. Burke’s early forays into country triumphantly bridged the gap between segregated audiences months before Ray Charles’ much more successful versions of “I Can’t Stop Loving You” and “You Don’t Know Me.”

 By the early ’70s, Burke was having few and far in-between hits, bouncing from one record label to the next. As the mid-‘80s rolled around, King Solomon found himself attached to Rounder Records, releasing the critically-acclaimed A Change Is Gonna Come. Subsequent years found the singer devoting much of his time to constant touring to make ends meet. By 2002, a sustaining comeback finally occurred, as Don’t Give Up on Me won a Grammy for Best Contemporary Blues Album. The long-running CBS television procedural Cold Case showcased one track from that great album in a 2008 episode, the sparse social commentary “None of Us Are Free.”

Artists such as Eric Clapton, Bob Dylan, Bruce Springsteen, to producers ranging from Don Was and Willie Mitchell, all contributed songs to Burke’s 21st century discography. Burke’s penultimate album, Nothing’s Impossible, was the epitaph for producer Willie Mitchell, and it also serves as a fitting almost-finale for Burke. Listen to the opening song, “Oh What a Feeling,” cut in Memphis at Royal Studios with Mitchell’s trademark strings, organ, and rich rhythm section anchoring Burke’s longing vocals.

Sixty-eight years old when that performance was tracked, Burke’s singing had lost nothing with the passage of time. When he moans, almost preaching the lines “One night’s sleep is never enough, it feels so good, I don’t wanna wake up, oh what a feeling, I can’t help myself, I’ve just got, what a feeling I have inside for you,” you know he’s singing from plenty of hard-earned experience.

Del Shannon - 1965 - Del Shannon Hits FLAC

Stranger In Town/Do You Wanna Dance/Keep Searchin' (Follow The Sun)/Handy Man





One of the best and most original rockers of the early '60s, Del Shannon was also one of the least typical. Although classified at times as a teen idol, he favored brooding themes of abandonment, loss, and rejection. In some respects he looked forward to the British Invasion with his frequent use of minor chords and his ability to write most of his own material. In fact, Shannon was able to keep going strong for a year or two into the British Invasion, and never stopped trying to play original music, though his commercial prospects pretty much died after the mid-'60s.

Born Charles Westover, Shannon happened upon a gripping series of minor chords while playing with his band in Battle Creek, MI. The chords would form the basis for his 1961 debut single, "Runaway," one of the greatest hits of the early '60s, with its unforgettable riffs, Shannon's amazing vocal range (which often glided off into a powerful falsetto), and the creepy, futuristic organ solo in the middle. It made number one, and the similar follow-up, "Hats Off to Larry," also made the Top Ten.

Shannon had intermittent minor hits over the next couple of years ("Little Town Flirt" was the biggest), but was even more successful in England, where he was huge. On one of his European tours in 1963, he played some shows with the Beatles, who had just scored their first big British hits. Shannon, impressed by what he heard, would become the first American artist to cover a Beatles song when he recorded "From Me to You" for a 1963 single (although it would give him only a very small hit). Shannon's melodic style had some similarities with the burgeoning pop/rock wing of the British Invasion, and in 1965, Peter & Gordon would cover a Shannon composition, "I Go to Pieces," for a Top Ten hit.

Del got into the Top Ten with a late-1964 single, "Keep Searchin'," that was one of his best and hardest-rocking outings. But after the similar "Stranger in Town" (number 30, 1965), he wouldn't enter the Top 40 again for nearly a couple of decades. A switch to a bigger label (Liberty) didn't bring the expected commercial results, although he was continuing to release quality singles. Part of the problem was that some of these were a bit too eager to recycle some of his stock minor-keyed riffs, as good as his prototype was. A brief association with producer Andrew Loog Oldham (also manager/producer of the Rolling Stones) found him continuing to evolve, developing a more Baroque, orchestrated pop/rock sound, and employing British session musicians such as Nicky Hopkins. Much to Shannon's frustration, Liberty decided not to release the album that resulted from the collaboration (some of the material appeared on singles, and much of the rest of the sessions would eventually be issued for the collector market).

By the late '60s, Shannon was devoting much of his energy to producing other artists, most notably Smith and Brian Hyland. Shannon was a perennially popular artist on the oldies circuit (particularly in Europe, where he had an especially devoted audience), and was always up for a comeback attempt on record. Sessions with Jeff Lynne and Dave Edmunds in the '70s didn't amount to much, but an early-'80s album produced by Tom Petty (and featuring members of the Heartbreakers as backing musicians) got him into the Top 40 again with a cover of "Sea of Love." He was working on another comeback album with Jeff Lynne, and sometimes rumored as a replacement for Roy Orbison in the Traveling Wilburys, when he unexpectedly killed himself on February 8, 1990, while on anti-depressant drugs.

Nancy Sinatra - 1967 - Summer Wine FLAC

Summer Wine/Shades/I Can't Grow Peaches On A Cherry Tree/The More I See You




"Summer Wine" is a song written by Lee Hazlewood. It was originally sung by Suzi Jane Hokom and Lee Hazlewood in 1966, but it was made famous by Nancy Sinatra and Lee Hazlewood in 1967. This version was originally released as the B-side of "Sugar Town" the previous year, before featuring on the Nancy & Lee LP in 1968. It was the first of Sinatra and Hazlewood's string of popular duets.

Lyrically, "Summer Wine" describes a man, voiced by Hazlewood, who meets a woman, Sinatra, who notices his silver spurs and invites him to have wine with her. After heavy drinking, the man awakens hungover to find his spurs and money have been stolen by the mysterious woman; the subtext of which being they experienced intercourse and as payment she took his "silver spurs, a dollar and a dime". He then declares a longing for more of her "wine". One interpretation is that the man singing the song was seduced by the woman in order to steal his money and belongings. Another interpretation, sometimes cited, is that the song contains an allegorical description of drug use and that the lyric "she reassured me with an unfamiliar line" specifically refers to cocaine though that is anomalous for the apparent period setting.  Thanks to Sunshine

T Rex - 1978 - T Rex FLAC

Get it On (Bang a Gong)/Hot Love/Debora/Ride a White Swan



T. Rex were an English rock band, formed in 1967 by singer-songwriter and guitarist Marc Bolan. The band was initially called Tyrannosaurus Rex, and released four psychedelic folk albums under this name. In 1969, Bolan began to shift from the band's early acoustic sound to an electric one. The following year, he shortened their name to T. Rex. The 1970 release of the single "Ride a White Swan" marked the culmination of this development, and the group soon became a commercial success as part of the emerging glam rock scene.

From 1970 until 1973, T. Rex encountered a popularity in the UK comparable to that of the Beatles, with a run of eleven singles in the UK top ten. One of the most prominent acts in British popular culture, they scored four UK number one hits, "Hot Love", "Get It On", "Telegram Sam" and "Metal Guru". The band's 1971 album Electric Warrior received critical acclaim as a pioneering glam rock album. It reached number 1 in the UK. The 1972 follow-up, The Slider, entered the top 20 in the US. Following the release of "20th Century Boy" in 1973, which reached number three in the UK, T. Rex began to experience less commercial success but continued recording one album per year.

In 1977, Bolan died in a car accident several months after releasing their final studio album Dandy in the Underworld. Since then, T. Rex have continued to exert a vast influence on a variety of subsequent artists.

Johnny Burnett - 1963 - Hit After Hit FLAC

Dreamin'/Little Boy Sad/Girls/You're Sixteen



 A contemporary of Elvis Presley in the Memphis scene of the mid-'50s, Johnny Burnette played a similar brand of fiery, spare wildman rockabilly. With his brother Dorsey (on bass) and guitarist Paul Burlison forming his Rock 'n' Roll Trio, he recorded a clutch of singles for Decca in 1956 and 1957 that achieved nothing more than regional success. Featuring the groundbreaking fuzzy tone of Burlison's guitar, Johnny's energetic vocals, and Dorsey's slapping bass, these recordings -- highlighted by the first rock & roll version of "Train Kept A-Rollin'" -- compare well to the classic Sun rockabilly of the same era. The trio disbanded in 1957, and Johnny found pop success as a teen idol in the early '60s with hits like "You're Sixteen" and "Dreamin'." Burnette died in a boating accident in 1964. His brother Dorsey achieved modest success as a solo act in the early '60s, and Burlison resurfaced as a member of the Sun Rhythm Section.

J@nis Jopl!n - 1971 - J@nis Jopl!n FLAC

Me And Bobby McGee/Mercedes Benz/Cry Baby/Half Moon


Janis Lyn Joplin (January 19, 1943 – October 4, 1970) was an influential American singer of the 1960s; her raw, powerful and uninhibited singing style, combined with her turbulent and emotional lifestyle, made her one of the biggest female stars in her lifetime. She died of an accidental drug overdose in 1970, aged 27, after releasing three albums. A fourth album, Pearl, was released a little more than three months after her death, reaching number 1 on the charts.

Joplin rose to fame in 1967 during an appearance at Monterey Pop Festival, as the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and the Festival Express train tour. Five singles by Joplin went into the Billboard Top 100, including "Me and Bobby McGee", which reached number 1 in March 1971. Her most popular songs include: "Piece of My Heart"; "Cry Baby"; "Down on Me"; "Ball 'n' Chain"; "Summertime"; and "Mercedes Benz", the final song she recorded.

Joplin, who was inducted into the Rock and Roll Hall of Fame in 1995, was well known for her performing ability. Audiences and critics alike referred to her stage presence as "electric". Rolling Stone ranked Joplin number 46 on its 2004 list of the 100 Greatest Artists of All Time and number 28 on its 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 15.5 million albums sold in the USA.

Wilson Picket - 1968 - Stag-O-Lee FLAC

Stag-O-Lee/ I'm In Love/Soul Dance Number Three/Funky Broadway


 Of the major '60s soul stars, Wilson Pickett was one of the roughest and sweatiest, working up some of the decade's hottest dancefloor grooves on hits like "In the Midnight Hour," "Land of 1000 Dances," "Mustang Sally," and "Funky Broadway." Although he tends to be held in somewhat lower esteem than more versatile talents like Otis Redding and Aretha Franklin, he is often a preferred alternative of fans who like their soul on the rawer side. He also did a good deal to establish the sound of Southern soul with his early hits, which were often written and recorded with the cream of the session musicians in Memphis and Muscle Shoals.

 Before establishing himself as a solo artist, Pickett sang with the Falcons, who had a Top Ten R&B hit in 1962 with "I Found a Love." "If You Need Me" (covered by the Rolling Stones) and "It's Too Late" were R&B hits for the singer before he hooked up with Atlantic Records, who sent him to record at Stax in Memphis in 1965. One early result was "In the Midnight Hour," whose chugging horn line, loping funky beats, and impassioned vocals combined into a key transitional performance that brought R&B into the soul age. It was an R&B chart-topper and a substantial pop hit (number 21), though its influence was stronger than that respectable position might indicate: thousands of bands, black and white, covered "In the Midnight Hour" on-stage and record in the 1960s.

 Pickett had a flurry of other galvanizing soul hits over the next few years, including "634-5789," "Mustang Sally," and "Funky Broadway," all of which, like "In the Midnight Hour," were frequently adapted by other bands as dance-ready numbers. The king of that hill, though, had to be "Land of 1000 Dances," Pickett's biggest pop hit (number six), a soul anthem of sorts with its roll call of popular dances, and covered by almost as many acts as "Midnight Hour" was.

Pickett didn't confine himself to the environs of Stax for long; soon he was also cutting tracks at Muscle Shoals. He recorded several early songs by Bobby Womack. He used Duane Allman as a session guitarist on a hit cover of the Beatles' "Hey Jude." He cut some hits in Philadelphia with Gamble & Huff productions in the early '70s. He even did a hit version of the Archies' "Sugar, Sugar." The hits kept rolling through the early '70s, including "Don't Knock My Love" and "Get Me Back on Time, Engine Number 9."


One of the corollaries of '60s soul is that if a performer rose to fame with Motown or Atlantic, he or she would produce little of note after leaving the label. Pickett, unfortunately, did not prove an exception to the rule. His last big hit was "Fire and Water," in 1972. He continued to be active on the tour circuit; his most essential music, all from the 1960s and early '70s, was assembled for the superb Rhino double-CD anthology A Man and a Half. It's Harder Now, his first new material in over a decade, followed in 1999. Pickett spent the early part of the 2000s performing, before retiring in late 2004 due to ill health. He passed away on January 19, 2006, following a heart attack.

Stevie Wonder - 1969 - For Once In My Life FLAC

 I'm Wondering/My Cherie Armour/Yester-Me, Yester-You, Yesterday/For Once In My Life


Stevland Hardaway Morris (born Stevland Hardaway Judkins; May 13, 1950), known by his stage name Stevie Wonder, is an American musician, singer, songwriter, record producer, and multi-instrumentalist. A child prodigy, he is considered to be one of the most critically and commercially successful musical performers of the late 20th century. Wonder signed with Motown's Tamla label at the age of 11, and he continued performing and recording for Motown into the 2010s. He has been blind since shortly after birth.

Among Wonder's works are singles such as "Superstition", "Sir Duke", "You Are the Sunshine of My Life" and "I Just Called to Say I Love You"; and albums such as Talking Book, Innervisions and Songs in the Key of Life. He has recorded more than 30 U.S. top ten hits and received 25 Grammy Awards, one of the most-awarded male solo artists, and has sold over 100 million records worldwide, making him one of the top 60 best-selling music artists. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.'s birthday a holiday in the United States. In 2009, Wonder was named a United Nations Messenger of Peace. In 2013, Billboard magazine released a list of the Billboard Hot 100 All-Time Top Artists to celebrate the US singles chart's 55th anniversary, with Wonder at number six.

 "For Once in My Life" is a swing song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1966. The most familiar and successful version of "For Once in My Life" is an uptempo arrangement by Stevie Wonder, recorded in 1967. Wonder's version, issued on Motown's Tamla label, was a top-three hit in the United States and the United Kingdom in late 1968 and early 1969.

My Cherie Amour" is a 1969 soul classic by Motown singer-songwriter Stevie Wonder. The song was originally recorded from late 1967 to early 1968, but not released until early 1969. The song was co-written by Wonder, Sylvia Moy, and Henry Cosby; Cosby also served as producer of the song. The song became a #4 hit on both the Billboard pop and R&B singles charts in July 1969. Wonder also released Spanish- and Italian-language versions entitled "Mi Querido Amor" and "My Cherie Amor", respectively.
 

"Yester-Me, Yester-You, Yesterday" is a 1969 soul song written by Ron Miller and Bryan Wells, released by American Motown singer-songwriter-musician Stevie Wonder on the album My Cherie Amour. The song continued Wonder's success on the pop charts. It reached #7 on the pop singles chart and become Wonder's ninth Top 10 single of the 1960s. The single fared even better on the UK singles chart where it reached #2 in December 1969, and at that time, it was Wonder's biggest UK hit.

"I'm Wondering" is a single released by Stevie Wonder as a non-album single in 1967. It peaked at No. 12 on the Billboard Hot 100. It was a hit in Great Britain as well, where it made #22 on the Pop Charts. The single was released after his album, I Was Made to Love Her, had made its debut.

Byrds - 1988 - 4 Play FLAC

Mr.Tambourine Man/Turn! Turn! Turn! (To Everything There Is A Season)/All I Really Want To Do/Mr. Spaceman



The Byrds were an American rock band that were formed in Los Angeles, California in 1964. Although the band only enjoyed the huge commercial success of contemporaries like The Beatles or The Beach Boys for a short period of time (1965–1966), they were pivotal in originating the musical styles of folk rock, psychedelic rock, raga rock, and country rock. The band underwent several line-up changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member of the group until their disbandment in 1973.


"Mr. Tambourine Man" was the debut single by the American band The Byrds and was released on April 12, 1965 by Columbia Records. The song was also the title track of the band's debut album, Mr. Tambourine Man, which was released on June 21, 1965. The Byrds' version is abridged and in a different key from Dylan's original. The single's success initiated the folk rock boom of 1965 and 1966, many acts imitating the band's hybrid of rock beat, jangly guitar and poetic or socially conscious lyrics. The single, the "first folk rock smash hit", gave rise to the very term "folk rock" in the U.S music press to describe the band's sound. The single reached number 1 on the Billboard Hot 100, and number 1 on the UK Singles Chart, making it the first recording of a Dylan song to reach number 1 on any pop music chart

"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan.
It was the second single by the American folk rock band the Byrds, and was released on June 14, 1965 by Columbia Records (see 1965 in music). The song was also included on the band's debut album, Mr. Tambourine Man, which was released on June 21, 1965. The version of the song released as a single is a completely different take to the version found on the Mr. Tambourine Man album, as evidenced by the slight lyrical variations in the song's first verse and the different running times the two versions have; the single is 2:02 minutes in length while the album version is slightly longer at 2:04. The single reached #40 on the Billboard Hot 100 and #4 on the UK Singles Chart.

"Turn! Turn! Turn! (To Everything There Is a Season)" — often abbreviated to "Turn! Turn! Turn!" — is a song written by Pete Seeger in the late 1950s. The song became an international hit in late 1965 when it was covered by the American folk rock band The Byrds, entering at #80 on October 23, 1965, before reaching #1 on the Billboard Hot 100 chart on December 4, 1965, #3 in Canada (Nov. 29, 1965), and also peaking at #26 on the UK Singles Chart. In the U.S., the song holds distinction as the #1 hit with the oldest lyrics. 

 "Mr. Spaceman" is a song by the American rock band The Byrds and was the third track on their 1966 album Fifth Dimension. The song was initially written by band member Jim McGuinn as a "melodramatic screenplay" but it soon evolved into a whimsical meditation on the existence of extraterrestrial life. After its appearance on Fifth Dimension, "Mr. Spaceman" was released as the third single taken from that album in September 1966 (see 1966 in music). The single reached #36 on the Billboard Hot 100 but failed to chart in the United Kingdom.

T0t0 - 1988 - Four Play Vol. 1 FLAC

Hold The Line/99/Rosanna/Africa


Toto is an American rock band formed in 1977 in Van Nuys in Los Angeles. The band's current lineup consists of Joseph Williams (lead vocals), David Paich (keyboards, vocals), Steve Porcaro (keyboards), Steve Lukather (guitars, vocals), plus touring members Leland Sklar (bass) and Shannon Forrest (drums). Toto is known for a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B, blues, and jazz.

David Paich and Jeff Porcaro had played together as session musicians on several albums and decided to form a band. David Hungate, Steve Lukather, Steve Porcaro and Bobby Kimball were recruited before their first album release. The band enjoyed great commercial success in the late 1970s and 1980s, beginning with the band's eponymous debut released in 1978. With the release of the critically acclaimed and commercially successful Toto IV (1982), Toto became one of the best-selling music groups of their era. They are best known for the Top 5 hits "Hold the Line", "Rosanna", and "Africa". Several changes to the lineup have been made over the years. Hungate left in 1982 followed by Kimball in 1984 but rejoined the band in 1998 until 2008. Jeff Porcaro died in 1992 of a heart attack. Hungate rejoined Toto as a touring musician and later a band member. In 2008, Lukather announced his departure from the band, and the remaining band members later went their separate ways. In the summer of 2010, Toto reformed and went on a short European tour, with a new lineup, to benefit Mike Porcaro, who had been diagnosed with amyotrophic lateral sclerosis (ALS) and was no longer an active member of the band. Porcaro died in 2015.

The band has released a total of 17 albums, and have sold over 40 million albums to date. The group was honored with several Grammy Awards and was inducted into the Musicians Hall of Fame and Museum in 2009.

Ben E King - 1963 - Spanish Harlem FLAC

Spanish Harlem/First Taste Of Love/Don't Play That Song (You Lied)/The Hermit Of Misty Mountain



 Benjamin Earl King (September 28, 1938 – April 30, 2015), known as Ben E. King, was an American soul and R&B singer and record producer. He was perhaps best known as the singer and co-composer of "Stand by Me"—a US Top 10 hit, both in 1961 and later in 1986 (when it was used as the theme to the film of the same name), a number one hit in the UK in 1987, and no. 25 on the RIAA's list of Songs of the Century—and as one of the principal lead singers of the R&B vocal group the Drifters notably singing the lead vocals of one of their biggest global hit singles (and only U.S. #1 hit) "Save the Last Dance for Me".

"Spanish Harlem" is a song released by Ben E. King in 1960 on Atco Records, written by Jerry Leiber and Phil Spector, and produced by Jerry Leiber and Mike Stoller. During a 1968 interview, Leiber credited Stoller with the arrangement.

It was originally released as the B-side to "First Taste of Love". The song was King's first hit away from The Drifters, a group he had led for several years. With an arrangement by Stan Applebaum featuring Spanish guitar, marimba, drum-beats, soprano saxophone, strings, and a male chorus, it climbed the Billboard charts, eventually peaking at #15 R&B and #10 Pop. It was ranked #358 on Rolling Stone's list of the 500 Greatest Songs of All Time. King's version was not a hit in the UK: instead, the original A-side, "First Taste of Love", that was played on Radio Luxembourg, charting at #27. In 1987, after Stand By Me made #1, the song was re-released and charted at #9
similarly, in a 2009 radio interview with Leiber and Stoller on the Bob Edwards Weekend talk show, Jerry Leiber said that Stoller, while uncredited, had written the key instrumental introduction to the record.[citation needed] In the team's autobiography from the same year, Hound Dog, Stoller himself remarks that he had created this "fill" while doing a piano accompaniment when the song was presented to Ahmet Ertegun and Jerry Wexler at Atlantic Records, with Spector playing guitar and Leiber doing the vocal. "Since then, I've never heard the song played without that musical figure. I presumed my contribution was seminal to the composition, but I also knew that Phil didn't want to share credit with anyone but Jerry, so I kept quiet."

Spencer Davis Group - 1966 - Keep On Running FLAC

Keep On Running/High Time Baby/Jump Back/I'm Blue (Going Going Song)


"Keep on Running" is a song written and originally recorded by Jackie Edwards, which became a number one hit in the UK when recorded by The Spencer Davis Group.

The song was most successfully recorded by The Spencer Davis Group and released as a single in November 1965 on Fontana Records, backed with "High Time Baby". At the time, Chris Blackwell, who produced the recording, was trying to get his Island label established in the UK and was managing the Spencer Davis Group. He was lent funding from Scala Brown Associates for the single by offering a sizable share of his label as security; the success of the single meant that he was quickly able to repay the loan. It was a number one hit on the UK Singles Chart in January 1966. In the United States it reached number 76.

Beach Boys - 1969 - I Can Hear Music FLAC

Friends/Do It Again/Bluebirds Over The Mountain/I Can Hear Music


The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. They emerged at the vanguard of the "California Sound", initially performing original surf songs that gained international popularity for their distinct vocal harmonies and lyrics reflecting a southern California youth culture of surfing, cars, and romance. Rooted in jazz-based vocal groups, 1950s rock and roll, and doo-wop, Brian led the band in devising novel approaches to music production, arranging his compositions for studio orchestras, and experimenting with several genres ranging from pop ballads to psychedelic and baroque styles. 

The group began as a garage band managed by the Wilsons' father Murry, with Brian's creative ambitions and sophisticated songwriting abilities dominating the group's musical direction. After 1964, their albums took a different stylistic path that featured more personal lyrics, multi-layered sounds, and recording experiments. In 1966, the Pet Sounds album and "Good Vibrations" single vaulted the group to the top level of rock innovators and established the band as symbols of the nascent counterculture era. Following Smile's dissolution, Brian gradually ceded production and songwriting duties to the rest of the band, reducing his input because of mental health and substance abuse issues. The group's public image subsequently faltered, and they struggled to reclaim their commercial momentum in America. The continued success of their greatest hits albums during the mid 1970s precipitated the band's transition into an oldies act, a move that was denigrated by critics and many fans. Since the 1980s, much-publicized legal wrangling over royalties, songwriting credits and use of the band's name transpired.

Dennis drowned in 1983 and Carl died of lung cancer in 1998. After Carl's death, many live configurations of the band fronted by Mike Love and Bruce Johnston continued to tour into the 2000s while other members pursued solo projects. For the band's 50th anniversary, all the current surviving members briefly reunited for a new studio album and world tour. Even though Wilson and Jardine do not perform with Love and Johnston's band, they remain a part of the Beach Boys' corporation, Brother Records Inc.

The Beach Boys are one of the most critically acclaimed, commercially successful, and widely influential bands of all time, while AllMusic stated that their "unerring ability... made them America's first, best rock band." The group had over eighty songs chart worldwide, thirty-six of them US Top 40 hits (the most by an American rock band), four reaching number-one on the Billboard Hot 100 chart. The Beach Boys have sold in excess of 100 million records worldwide, making them one of the world's best-selling bands of all time and are listed at No. 12 on Rolling Stone magazine's 2004 list of the "100 Greatest Artists of All Time". They received their only Grammy Award for The Smile Sessions (2011). The core quintet of the three Wilsons, Love and Jardine were inducted into the Rock and Roll Hall of Fame in 1988.

  "Friends" is a song written by Brian Wilson, Carl Wilson, Dennis Wilson and Al Jardine for the American rock band The Beach Boys. It was released on their 1968 album Friends. It was also released as a single, with "Little Bird" as the B-side. The single peaked at #47 in the U.S. and #25 in the U.K. The song was recorded in March 1968.
"Do It Again" is a song by American rock band The Beach Boys, written by Brian Wilson and Mike Love, who also share lead vocals. Produced by Wilson as a self-conscious callback to the band's earlier surf-based material, the song was released as a single on July 8, 1968, and subsequently placed on the band's 1969 album, 20/20. The single's B-side, "Wake the World", is taken from Friends, released the month before.

"Bluebirds over the Mountain" is a song written and recorded in 1958 by Ersel Hickey. "Bluebirds over the Mountain" was covered by The Beach Boys and released as a single on December 2, 1968 with the B-side "Never Learn Not to Love". The song features Mike Love on lead vocals and it also features Ed Carter on guitar.

 The single peaked at #61 on the Billboard pop chart in the United States, #53 in Canada's RPM chart, #33 in the United Kingdom and #9 in the Netherlands. The "B-Side" of this single, "Never Learn Not to Love", was written by infamous cult leader and murder instigator Charles Manson. Dennis Wilson was friends with Manson for a brief period of time prior to the "Tate-LaBianca Murders" as they would later be referred to.


"I Can Hear Music" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector for American girl group the Ronettes in 1966. Three years later, American rock band the Beach Boys released a cover version as a single from their album 20/20 (1969), peaking at number 24 on the Billboard Hot 100. With Brian Wilson increasingly losing interest in producing for the Beach Boys, his younger brother Carl took over the role of producer and lead Beach Boy. "I Can Hear Music" is considered by many to be Carl Wilson's first taste at being the "leader" of the group. Released as a single, the song peaked at #24 on the Billboard Hot 100 chart (and #20 on the Cash Box and Record World charts) in the US. Internationally, it reached #5 in Sweden, #6 in the Netherlands and Malaysia, #7 in Poland, #10 in the UK, #13 in Germany and in Australia's Go Set chart, and #15 in Ireland. The Beach Boys' version is noted for its a cappella section of harmonies and counterpoint.

Albert Hammond - 1972 - Albert Hammond FLAC

It Never Rains in Southern California/Names, Tags, Numbers & Labels/Down By The River/From Great Britain To L. A.




Albert Louis Hammond, Jr. OBE (born 18 May 1944) is a Gibraltarian singer, songwriter, and record producer who grew up in the British Mediterranean territory of Gibraltar.

Hammond was born in London, England, to where his family had been evacuated from Gibraltar during World War II. His family returned to Gibraltar shortly after his birth, and it is there he grew up. In 1960, he started in music with Gibraltarian band The Diamond Boys, which had no real commercial success, but played a part in Spain's introduction to pop and rock music. The Diamond Boys performed at the first nightclubs in Madrid to stage modern bands alongside Spanish rock and roll pioneers such as Miguel Ríos. In 1966 Hammond co-founded the British vocal group the Family Dogg, scoring a UK Top 10 hit with "A Way of Life" in 1969.


He also wrote songs for others with frequent collaborator Mike Hazlewood. These include "Little Arrows" for Leapy Lee, "Make Me An Island" (1969) (which Hammond himself re-recorded in 1979, in a Spanish disco-style version), and "You're Such a Good Looking Woman" (1970) for Joe Dolan, "Gimme Dat Ding" for the Pipkins in 1970 (itself a cover from the Freddie and the Dreamers album, Oliver in the Overworld), "Good Morning Freedom" for Blue Mink, "Freedom Come, Freedom Go" for the Fortunes in 1971 and "The Air That I Breathe" which was a hit for the Hollies in 1974. In 1971. Hammond also sang on Michael Chapman's fourth album, Wrecked Again, and worked briefly with the Magic Lanterns on recordings of his and Hazlewood's songs and other material. 

 He then moved to the United States, where he continued his professional career as a musician. However, he enjoyed his greatest commercial success in mainland Europe. He is known for his hits of the 1970s, released on Columbia subsidiary Mums Records. Written with Carole Bayer Sager, "When I Need You" was first recorded by Hammond on his 1976 album When I Need You. Produced by Richard Perry, Leo Sayer's version made No. 1 on the UK Singles Chart for two weeks in February 1977, after three of his earlier singles had stalled at No. 2. A hit worldwide, it reached No. 1 In Canada (RPM Top Singles) (also 2 weeks), and on the Billboard Hot 100 for a week in May 1977. Leapy Lee released a version of "When I Need You" on his first recording since 1970.

Hammond had success as a singer-songwriter with his Spanish recordings. His releases on Epic Records allowed him to tour every region of Latin America. It was during this period that he met Manuel Montoya, a CBS Mexico executive, who became his personal manager in 1985. This led to Hammond's Grammy Award winning production of Lani Hall's, Es Facil Amar, the producer and writer of "Cantaré, Cantarás" (the Latin American equivalent of "We Are The World"), and collaborations with Roberto Livi on recordings by Raphael, Eydie Gorme amongst others. Hammond also scored two hits in the Philippines during 1981. His songs "When I'm Gone" and "Your World and My World" (from the album of the same title) were popular in the country.
 

 With Hal David, Hammond co-wrote "To All The Girls I've Loved Before", a hit in 1984 for Julio Iglesias and Willie Nelson. Hammond collaborated with Diane Warren on "Nothing's Gonna Stop Us Now", a transatlantic No. 1 in 1987 for Starship, and "I Don't Wanna Live Without Your Love", a hit for Chicago that peaked at No. 3 in the U.S. Billboard Hot 100 chart in 1988. Hammond also co-wrote "One Moment in Time", the theme song to the 1988 Summer Olympics in Seoul, South Korea, as performed by Whitney Houston.

In 1991, Hammond co-wrote "When You Tell Me That You Love Me", which was recorded by Diana Ross, which reached No. 2 in the UK Singles Chart. In 2005, Diana Ross recorded the song again, this time as a duet with Westlife. Again the song reached No. 2 in the UK Singles Chart. He wrote several hits for Tina Turner, including "I Don't Wanna Lose You", "Be Tender With Me Baby", "Way of the World", and "Love Thing". Bonnie Tyler recorded the original version of Hammond/Warren's "Don't Turn Around", a UK No. 1 for Aswad in 1988 and a hit for Ace of Base five years later.

In 2005, he released Revolution of the Heart (where Todd Sharpville was his music director), and the single "This Side of Midnight". In 2008, Hammond met Kasaan Steigen of the Los Angeles-based Trigger Management who became his personal manager, during which time Hammond collaborated with British singer Duffy and others. Duffy's resulting album, Endlessly, co-written and co-produced by Hammond, was released in November 2010.

In 2010, Hammond also worked on Legend, a new recording of duets of his greatest hits, featuring such artists as Elena Paparizou and Bonnie Tyler. It was released on Sony Spain on 23 November that year.