Various Arists - 1970 - Super Groups Vol. 1 FLAC

John Mayall - Room To Move/Jack Bruce - The Clearout/Blind Faith - Well All Right/ Taste - Blister On The Moon



 As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band the Bluesbreakers acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively. John McVie and Mick Fleetwood, Jack Bruce, Aynsley Dunbar, Dick Heckstall-Smith, Andy Fraser (of Free), John Almond, and Jon Mark also played and recorded with Mayall for varying lengths of times in the '60s. 

Mayall recorded his debut single in early 1964; he made his first album, a live affair, near the end of the year. At this point the Bluesbreakers had a more pronounced R&B influence than would be exhibited on their most famous recordings, somewhat in the mold of younger combos like the Animals and Rolling Stones, but the Bluesbreakers would take a turn for the purer with the recruitment of Eric Clapton in the spring of 1965. Clapton had left the Yardbirds in order to play straight blues, and the Bluesbreakers allowed him that freedom (or stuck to well-defined restrictions, depending upon your viewpoint). Clapton began to inspire reverent acclaim as one of Britain's top virtuosos, as reflected in the famous "Clapton is God" graffiti that appeared in London in the mid-'60s.

In professional terms, though, 1965 wasn't the best of times for the group, which had been dropped by Decca. Clapton even left the group for a few months for an odd trip to Greece, leaving Mayall to straggle on with various fill-ins, including Peter Green. Clapton did return in late 1965, around the time an excellent blues-rock single, "I'm Your Witchdoctor" (with searing sustain-laden guitar riffs), was issued on Immediate. By early 1966, the band was back on Decca, and recorded its landmark Bluesbreakers LP. This was the album that, with its clean, loud, authoritative licks, firmly established Clapton as a guitar hero, on both reverent covers of tunes by the likes of Otis Rush and Freddie King and decent originals by Mayall himself. The record was also an unexpected commercial success, making the Top Ten in Britain. From that point on, in fact, Mayall became one of the first rock musicians to depend primarily upon the LP market; he recorded plenty of singles throughout the '60s, but none of them came close to becoming a hit.

Clapton left the Bluesbreakers in mid-1966 to form Cream with Jack Bruce, who had played with Mayall briefly in late 1965. Mayall turned quickly to Peter Green, who managed the difficult feat of stepping into Clapton's shoes and gaining respect as a player of roughly equal imagination and virtuosity, although his style was quite distinctly his own. Green recorded one LP with Mayall, A Hard Road, and several singles, sometimes writing material and taking some respectable lead vocals. Green's talents, like those of Clapton, were too large to be confined by sideman status, and in mid-1967 he left to form a successful band of his own, Fleetwood Mac.

Mayall then enlisted 19-year-old Mick Taylor; remarkably, despite the consecutive departures of two star guitarists, Mayall maintained a high level of popularity. The late '60s were also a time of considerable experimentation for the Bluesbreakers, who moved into a form of blues-jazz-rock fusion with the addition of a horn section, and then retreated into mellower, acoustic-oriented music. Mick Taylor, the last of the famous triumvirate of Mayall-bred guitar heroes, left in mid-1969 to join the Rolling Stones. Yet in a way Mayall was thriving more than ever, as the U.S. market, which had been barely aware of him in the Clapton era, was beginning to open up for his music. In fact, at the end of the '60s, Mayall moved to Los Angeles. Released in 1969, The Turning Point, a live, all-acoustic affair, was a commercial and artistic high point.

In America at least, Mayall continued to be pretty popular in the early '70s. His band was as unstable as ever; at various points some American musicians flitted in and out of the Bluesbreakers, including Harvey Mandel, Canned Heat bassist Larry Taylor, and Don "Sugarcane" Harris. Although he's released numerous albums since, and remains a prodigiously busy and reasonably popular live act, his post-1970 output generally hasn't matched the quality of his '60s work. Following collaborations with an unholy number of guest celebrities, in the early '80s he re-teamed with a couple of his more renowned vets, John McVie and Mick Taylor, for a tour, which was chronicled by Great American Music's Blues Express, released in 2010. The '60s albums are what you want, though over the past decades, there's little doubt that Mayall has done a great deal to popularize the blues all over the globe. Continuing to record and tour into his eighties, Mayall released A Special Life, recorded at Entourage Studios in North Hollywood and featuring a guest spot by singer and accordion player C.J. Chenier, in 2014. The album was universally celebrated as one of his best. 

John Symon Asher Bruce (14 May 1943 – 25 October 2014) was a Scottish singer-songwriter, musician and composer. He gained popularity as the co-lead vocalist, and bass guitarist of British rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.

In the early 1960s Bruce joined the Graham Bond Organisation, where he met his future bandmate Ginger Baker. After leaving the Graham Bond Organisation, he joined with John Mayall & the Bluesbreakers, where he met Eric Clapton, who also was his future bandmate. His time with the band was brief. In 1966, he formed Cream with lead guitarist Clapton and drummer Baker; he co-wrote some of their hits (including "Sunshine of Your Love", "White Room" and "I Feel Free") with songwriter Pete Brown. After the group disbanded Bruce formed his own blues-rock band West, Bruce and Laing in 1972, with guitarist Leslie West and drummer Corky Laing. In the late 1960s he began recording solo albums. His first solo album, Songs for a Tailor, released in 1969, was a worldwide hit. His solo career spanned several decades. From the 1970s to the 1990s he played with several groups as a touring member. He reunited with Cream in 2005 for concerts at the Royal Albert Hall and at Madison Square Garden in New York.

Bruce is considered to be one of the most important and influential bass guitarists of all time. Rolling Stone magazine readers ranked him number eight on their list of "10 Greatest Bass Guitarist Of All Time". He was inducted in the Rock and Roll Hall of Fame in 1993, and was awarded the Grammy Lifetime Achievement Award in 2006, both as a member of Cream.

Blind Faith were an English supergroup featuring Steve Winwood, Eric Clapton, Ginger Baker, and Ric Grech, active in mostly 1969. They were eagerly anticipated by the music press as a continuation of Clapton and Baker's former group Cream and Winwood's former group Traffic, but they split after one album and tour.

The group originated with informal jamming by Clapton and Winwood in early 1969 following the break-ups of Cream and Traffic. Baker joined them in rehearsals and they decided to form a group. Grech joined as the fourth member from the band Family in May, and they began recording their eponymous debut album. It drew controversy for featuring a photograph of a topless 11-year-old girl on the front cover, and it was issued with a different cover in the United States.

The first Blind Faith concert was on 7 June in front of an estimated 100,000 fans in Hyde Park, London, but they felt that they had not rehearsed enough and were unprepared. They subsequently played concerts in Scandinavia and the US, but the lack of material in the live set led them to play old Cream and Traffic songs which pleased the audience but disillusioned the band. Clapton became increasingly isolated during the tour, preferring to spend time with support act Delaney & Bonnie, and the band split up immediately after their last performance on the tour. Clapton and Winwood both enjoyed the music that they played together in the group's limited time, and they have since collaborated on several tours playing Blind Faith material.


Taste (originally "The Taste") was formed in Cork, Ireland, in August 1966 as a trio consisting of Rory Gallagher on guitars and vocals, Eric Kitteringham on bass, and Norman Damery on drums. In their early years Taste toured in Hamburg and Ireland before becoming regulars at Maritime Hotel, an R&B club in Belfast, Northern Ireland in the summer of 1967.

 In 1968 Taste began performing in the UK where the original lineup split up. The new lineup formed with Richard McCracken on bass and John Wilson on drums. The new Taste moved permanently to London where they signed with the record label Polydor. In November 1968, the band, along with Yes, opened for Cream at Cream's farewell concerts. While with Polydor, Taste began touring the United States and Canada with the British supergroup Blind Faith. In April 1969, Taste released the first of their two studio albums, the self-titled Taste, with On the Boards following in early 1970, the latter showing the band's jazz influences with Gallagher playing saxophone on numerous tracks.

One performance came in 1970 as part of the Isle of Wight Festival, alongside Jimi Hendrix and The Who. According to Donal Gallagher (Rory's brother who managed the band) filmmaker Murray Lerner had given instructions to his crew to shoot just two numbers from the new bands and to save the main film stock for Jimi Hendrix, The Who, Leonard Cohen and the other headliners but Taste’s performance prompted him to change his instructions.

"Murray didn’t know who Taste were but when he saw the spontaneity of the band and the audience and their interaction, he just told his guys keep filming and they just kept going and captured over an hour of the performance which was quite incredible." In the song "Sugar Mama", a photographer can be seen hurriedly bringing his camera up from a re-load to cover another camera angle.

Later the same year Taste toured Europe but were disbanded due to numerous reasons, the details of which are still unclear; but are generally acknowledged as having been due to managerial disputes and also tensions between Gallagher and the rest of the band, who wanted to be recognised as equals with him (Gallagher having been the sole songwriter in the band). They performed their last show on New Year's Eve in Belfast.  Wilson and McCracken immediately formed 'Stud' in early 1971, with Jim Cregan and John Weider, while Gallagher went on to pursue a solo career.