Tuesday 20 November 2018

B. Bumble And The Stingers - 1962 - Instumental FLAC


Bumble Boogie/Boogie Woogie/School Day Blues/Near You




B. Bumble and the Stingers were an American instrumental ensemble in the early 1960s, who specialized in rock and roll arrangements of classical melodies. Their biggest hits were "Bumble Boogie", which reached number 21 in the US, and "Nut Rocker", which reached number 1 in the UK Singles Chart in 1962. The recordings were made by session musicians at Rendezvous Records in Los Angeles, but when they became successful a touring group was formed led by R. C. Gamble (3 November 1941 – 2 August 2008) as "Billy Bumble".

In 1959, Earl Palmer, RenĂ© Hall and Plas Johnson, all African American musicians from Louisiana, were the house band at Rendezvous Records. According to Palmer, the three friends “always talked about how we could make some money and not leave the studio. One day I said, 'Let's do a rock version of "In the Mood"'. The single, credited to the Ernie Fields Orchestra, became a hit, reaching # 4 on the US pop charts in early 1960.

Hall then came up with the idea for B. Bumble and the Stingers, taking the same approach to a piece of classical music. Prompted by record producer Kim Fowley, he approached pianist Jack Fina, whose 1946 swing arrangement of Rimsky-Korsakov's "Flight of the Bumble Bee" for Freddy Martin and his Orchestra, called "Bumble Boogie" (RCA Victor 20-1829), had reached # 7 on the charts and been used in the 1948 Walt Disney animated film Melody Time. Using Fina's arrangement, Fowley recorded pianist Ernie Freeman on two tracks, one using a grand piano for the rhythm part, while the other featured a "tack piano", a modified upright piano with tacks attached to the hammers to create a tinny "honky tonk" sound. The other musicians on the session, at Gold Star Studios, were Palmer on drums, Red Callender on bass, and Tommy Tedesco on guitar.

"Bumble Boogie" went to # 21 on the Billboard charts in June 1961. Because the session musicians all had other studio commitments, a teen band from Ada, Oklahoma, who had played no part in the recording itself, were recruited to handle promotion and public appearances. Their names were given as Fred Richards, Don Orr, and "B. Bumble", a pseudonym for guitarist R. C. Gamble.

 Follow-up records "Boogie Woogie", with Freeman's tack piano double tracked, and "Caravan", were less successful, and Rendezvous seemed to lose interest in B. Bumble and the Stingers. Fowley then secured the copyright to an arrangement of the march from Tchaikovsky's ballet The Nutcracker, and took this to local entrepreneur and pianist H. B. Barnum, who recorded it under the name "Jack B. Nimble and the Quicks" on the small Del Rio label. When Rod Pierce of Rendezvous heard it, he convinced Fowley that his label could do a better version with their own band.

A recording date was quickly arranged, but on the day, Freeman did not appear. In his place, guitarist and arranger René Hall rushed pianist Al Hazan into the Rendezvous office, which was rigged up as an improvised studio. According to Hazan, "Rod decided to record the first take while I was still trying to practice the piece with the other musicians. Because I was so rushed to learn 'Nut Rocker', I was not happy at all with my performance on that first take. However, in spite of my asking Rod to let me do it over again, he said he liked it just fine the way it was." Released as "Nut Rocker" in February 1962, the record went to # 23 in the US and # 1 in the UK.[1] Del Rio struck a deal with Randy Wood of Dot Records and re-released what they were now calling "(The Original) Nut Rocker" by Jack B. Nimble and the Quicks, but it was not a hit.

Tuesday 13 November 2018

Dionne Warwick - 1967 - The Windows Of The World FLAC


The Windows Of The World/Walk Little Dolly/(I Never Knew) What You Were Up To/Blowing In The Wind



Dionne Warwick, original name Marie Dionne Warrick, Warwick also spelled Warwicke, (born December 12, 1940, East Orange, New Jersey, U.S.), American pop and rhythm and blues (R&B) singer whose soulful sound earned her widespread appeal. She is perhaps best known for her collaborations with such high-profile artists as Burt Bacharach and Barry Manilow.

Warrick was raised in a middle-class, racially integrated community in East Orange, New Jersey. Her family was both spiritually and musically inclined—her mother managed a renowned gospel choir, the Drinkard Singers, and her father became a gospel record promoter—and Dionne, as everyone called her, began singing in church at a young age. She often played piano or organ for the Drinkard Singers, and she sometimes sang in place of absent adult members. As a teen, she formed a group called the Gospelaires with her sister, Dee Dee. The group enjoyed relative success, singing backup for a number of musicians in local venues and on recordings. Warrick continued to perform with the Gospelaires after enrolling at the Hartt School of the University of Hartford, Connecticut, in 1959. She often made trips to New York to record with the group, and during one of these sessions she met composer and producer Burt Bacharach, who invited her to sing on some demos he was recording with lyricist Hal David. Her singing caught the attention of an executive at Scepter Records, and Warrick was soon signed to the label. In 1962 she released her first single—“I Smiled Yesterday,” with the more popular B side “Don’t Make Me Over”—written and produced by Bacharach and David. Warrick’s surname was misspelled as “Warwick” on the record, and she adopted the mistake as her name thereafter.

 
 The single proved relatively successful, and Warwick subsequently began touring worldwide. In the mid-1960s she began appearing in popular nightclubs and theatres and also on television, including appearances on Hullabaloo and The Red Skelton Hour. Warwick continued to release hit singles and albums throughout the 1960s, largely collaborations with Bacharach and David. Top 10 singles from this period included “Walk On By” (1964), “I Say a Little Prayer” (1967), and “(Theme from) Valley of the Dolls” (1968), the latter of which, by reaching number two on the Billboard pop chart, pushed Warwick further into the spotlight. In 1969 she earned her first Grammy Award, for best female contemporary pop vocal performance, for “Do You Know the Way to San Jose?” (1968). A second Grammy, for best female contemporary vocal performance, followed two years later for “I’ll Never Fall in Love Again.”

After a decade of successful collaborations, Bacharach, David, and Warwick quarreled and parted ways. From 1971 Warwick rendered her surname “Warwicke” on the advice of astrologer friend Linda Goodman but reverted the spelling to “Warwick” some five years later. She had few hits for the majority of the 1970s, with the notable exception of “Then Came You” (1974), a collaboration with the Spinners that topped the charts. Her popularity increased once more in 1979 with the songs “Deja Vu” and “I’ll Never Love This Way Again,” which garnered her Grammy Awards for best female R&B vocal performance and best female pop vocal performance, respectively. She maintained this popularity through the 1980s, and during that time she eventually reconciled with Bacharach, performing on his “That’s What Friends Are For” (1985), which also featured Gladys Knight, Elton John, and Stevie Wonder. The song, the proceeds of which went to funding AIDS research, earned Warwick her fifth Grammy.


 Warwick’s commercial success dwindled in the 1990s, and she instead gained attention as the spokesperson for the Psychic Friends Network, hosting their infomercials. In addition to her music, Warwick devoted much of her time to entrepreneurial endeavours—including a skin care and fragrance line and an interior design group—and to charity projects.

Warwick continued to record into the 21st century. Her releases included the gospel album Why We Sing (2008) and two collections of duets, My Friends & Me (2006), on which she sang her old hits with such artists as Cyndi Lauper and Reba McEntire, and Feels So Good (2014), on which her partners included Jamie Foxx and Cee Lo Green. In 2010 she published an autobiography, My Life, As I See It (cowritten with David Freeman Wooley).

The Ventures - 1962 - Play Telstar And Lonely Bull FLAC


Telstar/Red River Rock/The Lonely Bull/Percolator



The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards (initially bass, switched to lead guitar), and Mel Taylor (drums).

Their first wide-release single, "Walk, Don't Run", brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.

The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced a large number of musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.

The Shangri-Las - 1968 - Leader of the Pack FLAC


Leader of the Pack/Remember (Walkin' in the Sand)/ I Can Never Go Home Anymore/Give Him a Great Big Kiss



The Shangri-Las, American girl group whose string of hits in the mid-1960s included the bad-boy anthem “Leader of the Pack” (1964). The group was formed in 1963 by two pairs of sisters: Mary Weiss (b. 1946, Queens, N.Y., U.S.) and Betty Weiss (byname of Elizabeth Weiss; b. 1948, Queens, N.Y.) and twins Margie Ganser (byname of Marguerite Ganser; b. Feb. 4, 1948, Queens, N.Y.—d. July 28, 1996, Valley Stream, N.Y.) and Mary-Ann Ganser (b. Feb. 4, 1948, Queens, N.Y.—d. March 14, 1970, Queens).


The quartet, who all attended the same high school in Queens, began performing at area nightclubs in 1963 and had achieved some local success when they were noticed by producer George (“Shadow”) Morton. Morton, who was auditioning for work with the newly formed Red Bird label, recruited the Shangri-Las to perform his song “Remember (Walking in the Sand).” The label promptly hired Morton and signed the Shangri-Las to a recording contract. With Mary in the lead, and the others providing backing vocals, a reworked version of “Remember (Walking in the Sand)” reached the Top Five in the summer of 1964. Morton then enlisted songwriting veterans at the Brill Building to provide the group with material. The Shangri-Las’ next single proved to be their defining hit. “Leader of the Pack,” which topped the charts in 1964, was a tale of rebellion punctuated by the crack of a motorcycle engine. Around that time, Betty left the band, but the Shangri-Las continued as a trio, touring throughout 1965–66 and scoring a Top Ten hit with “I Can Never Go Home Anymore” (1965). Red Bird folded in 1966, and the Shangri-Las, unable to find success at another label, disbanded two years later.