Supremes - 1969 - Love Child FLAC

Reflections/Forever Came Today/Time Changes Things/Love Child


The Supremes were an American female singing group and the premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.

Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit, formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.

 During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes, and replaced Ballard with Cindy Birdsong. Ross left to pursue a solo career in 1970 and was replaced by Jean Terrell, at which point the group's name reverted to The Supremes. After 1972, the lineup changed more frequently; Lynda Laurence, Scherrie Payne, and Susaye Greene all became members of the group during the mid-1970s. The Supremes disbanded in 1977 after 18 years.


"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, Diana Ross & the Supremes, and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H). The song is also among the final singles to feature Florence Ballard, who recorded vocals for this song during one of her last studio sessions before she was fired on July 1. It peaked at number-two on the United States Billboard Hot 100 pop singles chart and number-five on the United Kingdom UK Singles Chart in September 1967. 

This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; H–D–H's production of the song, influenced by the psychedelic rock sounds of bands such as The Beatles and The Beach Boys, represented a shift in Motown's pop sound during the latter half of the 1960s. The psychedelic influence is apparent in the song's arrangement, which featured relatively early use of synthesizers on a popular record.
Release and reception

"Reflections" peaked during the late summer and early fall of 1967. Making the highest debut on US Billboard pop chart the week of August 6, the song reached #2 the week ending September 9, 1967. Verging on being the group's 11th American number-one single, "Reflections" stalled at the penultimate position for two weeks behind Bobbie Gentry's "Ode to Billie Joe," which Diana Ross rerecorded as a solo for the Reflections album. The single also peaked concurrently in the UK at #5.

The first nationally televised performance to feature Ballard's replacement, Cindy Birdsong, as a member of The Supremes on American television, now billed "Diana Ross & the Supremes," was on the ABC variety program The Hollywood Palace, airing Tuesday, September 26, 1967.

 "Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th (and penultimate) number-one single in the United States.

The record took just three weeks to reach the Top Ten of the Billboard Hot 100 pop chart, which it then topped for two weeks, November 30—December 7, 1968, before being dethroned by an even bigger Motown single, Marvin Gaye's "I Heard It Through the Grapevine". "Love Child" also performed well on the soul chart — where it spent three weeks at number two (stuck behind Johnnie Taylor's "Who's Making Love") — and paved new ground for a major pop hit with its then-controversial subject matter of illegitimacy. It is also the single that finally knocked the Beatles' "Hey Jude" off the top spot in the United States after its nine-week run. The Supremes debuted the dynamic and intense song on the season premiere of the CBS variety program The Ed Sullivan Show on Sunday, September 29, 1968. In Billboard's special 2015 chart of the Top 40 Biggest Girl Groups of All Time on the Billboard Hot 100, "Love Child" ranked highest among the Supremes' six entries.

 The public responded immediately to "Love Child" when it was released as a single on September 30, 1968, rising to number one on the Billboard Hot 100 and becoming the third biggest selling Supremes' single behind "Baby Love" and "Someday We'll Be Together." The feat was repeated in Canada, where it also reached number one in the RPM 100 national singles chart. In the UK singles chart, the song peaked at number 15, and number three in Australia. "Love Child" became the title track of Diana Ross & the Supremes' Love Child album, released on November 13, 1968.