Johnny Rivers - 1969 - I Can't Help Myself

I Can't Help Myself/Memphis/Do You Want To Dance/The Way We Live



 Rivers was born as John Henry Ramistella in New York City, of Italian ancestry. His family moved from New York to Baton Rouge, Louisiana. Influenced by the distinctive Louisiana musical style, Rivers began playing guitar at age eight, taught by his father and uncle. While still in junior high school, he started sitting in with a band called the Rockets, led by Dick Holler, who later wrote a number of hit songs, including "Abraham, Martin and John" and the novelty song, "Snoopy vs. the Red Baron".

Ramistella formed his own band, the Spades, and made his first record at 14, while he was a student at Baton Rouge High School. Some of their music was recorded on the Suede label as early as 1956. On a trip to New York City in 1958, Ramistella met Alan Freed, who advised him to change his name to "Johnny Rivers" after the Mississippi River, which flows through Baton Rouge. Freed also helped Rivers gain several recording contracts on the Gone label. From March 1958 to March 1959, Johnny Rivers released three records which did not sell well.

Rivers returned to Baton Rouge in 1959, and began playing throughout the American South alongside comedian Brother Dave Gardner. One evening in Birmingham, Rivers met Audrey Williams, Hank Williams' first wife. She encouraged Rivers to move to Nashville, where he found work as a songwriter and demo singer. Rivers also worked alongside Roger Miller. By this time, Rivers had decided he would never make it as a singer, and song writing became his priority.

In 1958, Rivers met fellow Louisianan, James Burton, a guitarist in a band led by Ricky Nelson. Burton later recommended one of Rivers' songs, "I'll Make Believe", to Nelson who recorded it. They met in Los Angeles in 1961, where Rivers subsequently found work as a songwriter and studio musician. His big break came in 1963, when he filled in for a jazz combo at Gazzarri's, a nightclub in Hollywood, where his instant popularity drew large crowds.

 

 In 1964, Elmer Valentine gave Rivers a one-year contract to open at the Whisky a Go Go, on Sunset Strip in West Hollywood. The Whisky had been in business just three days when the Beatles song "I Want to Hold Your Hand" entered the Billboard Hot 100. The subsequent British Invasion knocked almost every American artist off the top of the charts, but Rivers was so popular that record producer Lou Adler decided to issue Johnny Rivers Live at the Whisky A Go Go, which reached #12. Rivers recalled that his most requested live song then was "Memphis", which reached #2 on the US Hit Parade in July 1964. It sold over one million copies and was awarded a gold disc. According to Elvis Presley's friend and employee, Alan Fortas, Presley played a test pressing of "Memphis" for Rivers that Presley had made but not released. Rivers was impressed and, much to Presley's chagrin, Rivers recorded and released it, even copying the arrangement (Fortas writes: "After that, Johnny was on Elvis's shit list" and was persona non grata from then on). Rivers' version far outsold the Chuck Berry original from August 1959, which stalled at #87 in the US.

 Rivers continued to record mostly live performances throughout 1964 and 1965, including Go-Go-style records with songs featuring folk music and blues rock influences including "Maybellene" (another Berry cover), after which came "Mountain of Love", "Midnight Special", "Seventh Son" (written by Willie Dixon), plus Pete Seeger's" Where Have All the Flowers Gone?", all of which were hits.


In 1963, Rivers began working with writers P.F. Sloan and Steve Barri on a theme song for the American broadcast of a British television series Danger Man, starring Patrick McGoohan. At first Rivers balked at the idea but eventually changed his mind. The American version of the show, titled Secret Agent, went on the air in the spring of 1965. The theme song was very popular and created public demand for a longer single version. Rivers' recording of "Secret Agent Man" reached #3 on the Billboard Hot 100 chart in 1966. It sold one million copies, also winning gold disc status.

In 1966, Rivers switched gears and began to record ballads that mixed his soulful voice with smooth-sounding backing vocalists. He produced several successful hits including his own "Poor Side of Town", which would be his biggest chart hit and his only #1 record. He also started his own record company, Soul City Records which included the 5th Dimension, whose recording of "Wedding Bell Blues" was a #1 hit for the new label. In addition, Rivers is credited with giving songwriter Jimmy Webb a major break when the 5th Dimension recorded his song "Up, Up, and Away". Rivers also recorded Webb's "By the Time I Get to Phoenix". It was covered by Glen Campbell, who had a major hit with it.

Rivers continued to record more hits covering other artists, including "Baby I Need Your Lovin'" released by the Four Tops, and "The Tracks of My Tears" by the Miracles, both going Top 10 in 1967. In 1968, Rivers put out Realization, a #5 album that included the #14 pop chart single "Summer Rain", written by a former member of the Mugwumps, James Hendricks. The album included some of the psychedelic influences of the time and marked a subtle change in Rivers' musical direction, with more introspective songs including "Look To Your Soul" and "Going Back to Big Sur".

 In the 1970s Rivers continued to record more songs and albums that were successes with music critics, but did not sell well. L.A. Reggae (1972), reached the LP chart as a result of the #6 hit "Rockin' Pneumonia and the Boogie Woogie Flu," a cover version of the Huey "Piano" Smith and the Clowns song. The track became Rivers' third million seller, which was acknowledged with the presentation of a gold disc by the Recording Industry Association of America (R.I.A.A.) on January 29, 1973. Other hits from that time period were 1973's "Blue Suede Shoes," (recorded in 1955 by Carl Perkins), that would reach the top 40 on the Billboard Hot 100, and "Help Me Rhonda" in 1975, (originally a #1 hit for the Beach Boys), on which Brian Wilson sang back-up vocals.

Rivers' last Top 10 entry was his 1977 recording of "Swayin' to the Music (Slow Dancing)" originally released by Funky Kings and written by Jack Tempchin. Rivers' last Hot 100 entry, also in 1977, was "Curious Mind (Um, Um, Um, Um, Um, Um)," originally released by Major Lance and written by Curtis Mayfield. In addition, Rivers recorded the title song for the late night concert-influenced TV show The Midnight Special.

Simon & Garfunkel - 1966 - Sounds Of Silence WAVE

Sounds of Silence/I Am A Rock/Kathy's Song/A Most Peculiar Man




Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the best-selling music groups of the 1960s and became counterculture icons of the decade's social revolution, alongside artists such as the Beatles, the Beach Boys, and Bob Dylan. Their biggest hits—including "The Sound of Silence" (1964), "Mrs. Robinson" (1968), "The Boxer" (1969), and "Bridge over Troubled Water" (1970)—reached number one on singles charts worldwide.

Their often rocky relationship led to artistic disagreements, which resulted in their breakup in 1970. Their final studio record, Bridge over Troubled Water (released in January of that year), was their most successful, becoming one of the world's best-selling albums. Since their split in 1970 they have reunited several times, most famously in 1981 for, "The Concert in Central Park", which attracted more than 500,000 people, the seventh-largest concert attendance in history.

The duo met as children in Queens, New York, in 1953, where they learned to harmonize together and began writing original material. By 1957, under the name Tom & Jerry, the teenagers had their first minor success with "Hey Schoolgirl", a song imitating their idols The Everly Brothers. Afterwards, the duo went their separate ways, with Simon making unsuccessful solo records. In 1963, aware of a growing public interest in folk music, they regrouped and were signed to Columbia Records as Simon & Garfunkel. Their début, Wednesday Morning, 3 A.M., sold poorly, and they once again disbanded; Simon returned to a solo career, this time in England. In June 1965, their song "The Sound of Silence" was overdubbed, adding electric guitar and a drumkit to the original 1964 recording. This later version became a major U.S. AM radio hit in 1965, reaching number one on the Billboard Hot 100.

They reunited, releasing their second studio album Sounds of Silence and touring colleges nationwide. On their third release, Parsley, Sage, Rosemary and Thyme (1966), the duo assumed more creative control. Their music was featured in the 1967 film The Graduate, giving them further exposure. Bookends (1968), their next album, topped the Billboard 200 chart and included the number-one single "Mrs. Robinson" from the film.

After their 1970 breakup following the release of Bridge over Troubled Water, they both continued recording, Simon releasing a number of highly acclaimed albums, including 1986's Graceland. Garfunkel also briefly pursued an acting career, with leading roles in two Mike Nichols films, Catch-22 and Carnal Knowledge, and in Nicolas Roeg's 1980 Bad Timing, as well as releasing some solo hits such as "All I Know".

Simon & Garfunkel won 10 Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 1990, and their Bridge over Troubled Water album was nominated at the 1977 Brit Awards for Best International Album. It is ranked at number 51 on Rolling Stone's 500 Greatest Albums of All Time.  "The Sound of Silence", originally "The Sounds of Silence", is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over a period of several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the song was recorded in March 1964 at Columbia Studios in New York City for inclusion on their debut album, Wednesday Morning, 3 A.M..

 Released in October 1964, the album was a commercial failure and led to the duo breaking apart, with Paul Simon returning to England and Art Garfunkel to his studies at Columbia University. In spring 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instrumentation. Simon & Garfunkel were not informed of the song's remix until after its release. The single was released in September 1965.

The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being "culturally, historically, or aesthetically important" in 2013 along with the rest of the Sounds of Silence album.

Herman's Hermits - 1966 - Hold On No2 FLAC

Leaning On The Lamp Post/All The Things I Do For You Baby/Where Were You When I Needed You/Wild Love


Hold On! by Herman's Hermits is the band's third album and was released in the United Kingdom by EMI/Columbia

It is the soundtrack album to a 1966 film featuring Herman's Hermits and Shelley Fabares, Hold On!

The producers had recruited Fred Karger, a Hollywood composer who had served as music director of the group's previous movie, When the Boys Meet the Girls, to write the songs for the movie. In an interview on a television documentary on The British Invasion, Peter Noone recalled that the original title of the film was There's No Place Like Space, for which Karger had written the theme song. However, the group and their manager Mickie Most agreed that the song wasn't right for them and, instead, asked co-star Shelley Fabares' then-husband, record producer Lou Adler, for help. Adler recommended songwriter P.F. Sloan to compose the title track for the film. Sloan's recollection was that the film was to be renamed A Must to Avoid, and he wrote a song for that title, with some contributions from his writing partner Steve Barri. When the studio vetoed that title, the film was then retitled Hold On! after another one of Sloan's songs.

Ultimately, the ten-song US soundtrack album included five songs written by Karger, including the lone song sung by Fabares, four songs written by Sloan/Barri, and one Hermits cover of a 1937 British music hall song. The six-song UK EP used all four Sloan/Barri songs and just two of the Karger songs.

"A Must to Avoid" and a re-recorded version of "Leaning on a Lamp Post" both reached the Billboard Top 10 as singles in the US, and "Hold On!" was a B-side. "A Must to Avoid" was also a top 10 hit in the UK. "Leaning on a Lamp-post" is a popular song written by Noel Gay and best known in the version by George Formby. A version by Herman's Hermits, credited as "Leaning on the Lamp Post", reached No. 9 on the US Hot 100 in 1966. 

Chantays - 1965 - Pipeline

Pipeline/Move It/Runaway/Sleep Walk


The Chantays are a surf rock band from Orange County, California, USA, known for the hit instrumental, "Pipeline" (1963). Their music combines electronic keyboards and surf guitar, creating a unique ghostly sound.

The Chantays were formed in 1961 when five high-school friends decided to start their own band. Bob Spickard, Brian Carman (co-writers of "Pipeline"), Bob Welch, Warren Waters and Rob Marshall were all students at Santa Ana High School in California, when a local group called the Rhythm Rockers inspired the five to form the Chantays. In December 1962, the group recorded and released "Pipeline", which eventually peaked at No. 4 on the Billboard Hot 100 in May 1963. The track also peaked in the UK Singles Chart in 1963 at No. 16. The Chantays recorded their first album in 1963, also titled Pipeline, which included "Blunderbus" and "El Conquistador". Their follow-up album was Two Sides of the Chantays in 1964.

 The Chantays toured Japan and the United States, joining the Righteous Brothers and Roy Orbison on a few occasions, and they were the only rock and roll band to perform on The Lawrence Welk Show.

"Pipeline" (published as sheet music in 1962 by Downey Music Publishing) has become one of several surf rock hits. The tune has since been covered by Bruce Johnston, Welk (on the Dot album Scarlet O'Hara), Al Caiola (on the United Artists album Greasy Kid Stuff), the Ventures, Takeshi Terauchi & Blue Jeans, Agent Orange, Hank Marvin, Lively Ones, Pat Metheny, Dick Dale with the help of Stevie Ray Vaughan (Grammy Nominated), by the thrash metal band Anthrax, Bad Manners, and Johnny Thunders. "Pipeline" has also been featured in many films, television programs and commercials. It also appears on numerous compilation albums.

The Chantays have been honored for their contributions to music. Some of the highlights include being honored on April 12, 1996 by Hollywood's Rock Walk, that was founded to honor individuals and bands that have made lasting and important contributions to music. "Pipeline" is listed as one of the 500 Songs that Shaped Rock and Roll. Along with Bill Medley of the Righteous Brothers and Diane Keaton, the Chantays were honored by the City of Santa Ana, California, and Santa Ana High School when they named a street after them, Chantays Way. OC Weekly Magazine also named the Chantays as one of the Best Orange County Bands.

 Today, the Chantays are still playing. Original members Bob Spickard and Bob Welch are joined by longtime members Gil Orr, Ricky Lewis, and Brian Nussle. More recent albums include The Next Set (live recording) and Waiting for the Tide. Some of the tracks are new songs "Crystal T" and "Killer Dana", along with remakes of "Pipeline", "El Conquistador" and "Blunderbus".

Brian Carman died at his home in Santa Ana, California from complications of Crohn's disease on March 1, 2015. He was 69.

Supremes - 1969 - Love Child FLAC

Reflections/Forever Came Today/Time Changes Things/Love Child


The Supremes were an American female singing group and the premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.

Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit, formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.

 During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes, and replaced Ballard with Cindy Birdsong. Ross left to pursue a solo career in 1970 and was replaced by Jean Terrell, at which point the group's name reverted to The Supremes. After 1972, the lineup changed more frequently; Lynda Laurence, Scherrie Payne, and Susaye Greene all became members of the group during the mid-1970s. The Supremes disbanded in 1977 after 18 years.


"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, Diana Ross & the Supremes, and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H). The song is also among the final singles to feature Florence Ballard, who recorded vocals for this song during one of her last studio sessions before she was fired on July 1. It peaked at number-two on the United States Billboard Hot 100 pop singles chart and number-five on the United Kingdom UK Singles Chart in September 1967. 

This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; H–D–H's production of the song, influenced by the psychedelic rock sounds of bands such as The Beatles and The Beach Boys, represented a shift in Motown's pop sound during the latter half of the 1960s. The psychedelic influence is apparent in the song's arrangement, which featured relatively early use of synthesizers on a popular record.
Release and reception

"Reflections" peaked during the late summer and early fall of 1967. Making the highest debut on US Billboard pop chart the week of August 6, the song reached #2 the week ending September 9, 1967. Verging on being the group's 11th American number-one single, "Reflections" stalled at the penultimate position for two weeks behind Bobbie Gentry's "Ode to Billie Joe," which Diana Ross rerecorded as a solo for the Reflections album. The single also peaked concurrently in the UK at #5.

The first nationally televised performance to feature Ballard's replacement, Cindy Birdsong, as a member of The Supremes on American television, now billed "Diana Ross & the Supremes," was on the ABC variety program The Hollywood Palace, airing Tuesday, September 26, 1967.

 "Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th (and penultimate) number-one single in the United States.

The record took just three weeks to reach the Top Ten of the Billboard Hot 100 pop chart, which it then topped for two weeks, November 30—December 7, 1968, before being dethroned by an even bigger Motown single, Marvin Gaye's "I Heard It Through the Grapevine". "Love Child" also performed well on the soul chart — where it spent three weeks at number two (stuck behind Johnnie Taylor's "Who's Making Love") — and paved new ground for a major pop hit with its then-controversial subject matter of illegitimacy. It is also the single that finally knocked the Beatles' "Hey Jude" off the top spot in the United States after its nine-week run. The Supremes debuted the dynamic and intense song on the season premiere of the CBS variety program The Ed Sullivan Show on Sunday, September 29, 1968. In Billboard's special 2015 chart of the Top 40 Biggest Girl Groups of All Time on the Billboard Hot 100, "Love Child" ranked highest among the Supremes' six entries.

 The public responded immediately to "Love Child" when it was released as a single on September 30, 1968, rising to number one on the Billboard Hot 100 and becoming the third biggest selling Supremes' single behind "Baby Love" and "Someday We'll Be Together." The feat was repeated in Canada, where it also reached number one in the RPM 100 national singles chart. In the UK singles chart, the song peaked at number 15, and number three in Australia. "Love Child" became the title track of Diana Ross & the Supremes' Love Child album, released on November 13, 1968.