Cr{{d{nce Cle@rw@ter Rev!v@l - 1969 - Gr{{n R!ver FLAC

Green River/Commotion/Bootleg/Good Golly Miss Molly




"Green River" is a song by American rock band Creedence Clearwater Revival. The song was written by John Fogerty and was released as a single in July 1969, one month before the album of the same name was released.

The song "Green River" was based on a vacation spot for John Fogerty.  In an interview Fogerty gave to Rolling Stone in 2012, Fogerty stated:

    What really happened is that I used a setting like New Orleans, but I would actually be talking about thing from my own life. Certainly a song like "Green River" – which you may think would fit seamlessly into the Bayou vibe, but it's actually about the Green River, as I named it – it was actually called Putah Creek by Winters, California. It wasn't called Green River, but in my mind I always sort of called it Green River. All those little anecdotes are part of my childhood, those are things that happened to me actually, I just wrote about them and the audience shifted at the time and place.

Fogerty added that the "actual specific reference, 'Green River,' I got from a soda pop-syrup label... My flavor was called Green River

"Green River" was certified gold (500,000 units sold) by the Recording Industry Association of America on December 13, 1990.

Len Barry - 1966 - Like A Baby

Like A Baby/Happiness/Will You Love Me Tomorrow/Don't Throw Your Love Away




 Born and raised in Philadelphia, Barry had little thought of a show business career while still in school. Instead, he aspired to become a professional basketball player upon his graduation. It was not until he entered military service and had occasion to sing with the US Coast Guard band at Cape May, New Jersey, and was so encouraged by the response of his military audiences, that he decided to make music a career.

Upon his discharge from military service, Barry returned home to Philadelphia and formed the Dovells, he was their lead singer. His is the lead voice on all their best selling records "Bristol Stomp", "Hully Gully Baby", and "You Can't Sit Down", among others. "Bristol Stomp" sold over one million copies, and was awarded a RIAA gold disc. As a Dovell, he also toured with James Brown. Barry also made film appearances with the Dovells in films such as Don't Knock the Twist, toured the UK with the Motown Revue. Barry also had guest appearances on US television on "Bandstand" and later American Bandstand, Shindig, and Hullabaloo. Soon after leaving the group, Barry recorded his first solo single "Lip Sync". 

As someone who sang rhythm and blues, he recorded hits in 1965 and 1966 for Decca Records in the US and released by Brunswick Records: "1-2-3", "Like a Baby", and "I Struck It Rich", a song he wrote with Leon Huff of the Philadelphia International Records producers, Gamble and Huff.

His first two hits also made the Top Ten of the UK Singles Chart. "1-2-3" reached number three. Those songs also peaked at number 2 and 27 on the US Billboard Hot 100 chart respectively. "1-2-3" sold over four million copies, and gave Barry his second RIAA gold disc and a Grammy Award nomination for Contemporary Rock & Roll Male Vocal Performance. Both "1-2-3" and "Like a Baby" were composed by Barry, John Madara, and David White (musician).

He has performed at the Apollo Theatre in New York; the Howard Theatre in Washington, D.C.; The Regal Chicago, Chicago; Illinois; The Fox Theatre (Detroit) in Detroit, Michigan; and The Uptown (Philadelphia), Philadelphia, Pennsylvania. He also toured with Sam Cooke, The Motown Revue in the United Kingdom, and appeared on Top of the Pops.

 He became a major singing star in The United Kingdom. Highlights of his European tour included featured performances at the London Palladium and Royal Albert Hall as well as numerous appearances throughout England, Ireland, Scotland and Wales.

Barry's respect of the Native American culture led him to write and produce the instrumental "Keem-O-Sabe". The song went to number 16 on the Billboard Hot 100 in 1969.

He also did writing and production work with WMOT Productions. With Bobby Eli he helped write the hit singles "Zoom" for Fat Larry's Band, and "Love Town" for Booker Newberry III.

In May 2008, Barry reinvented himself as an author with the publication of novel, Black-Like-Me. The storyline involved a pair of Caucasian siblings growing up in a largely African-American neighborhood, accepted by some, rejected by others.

D@vid B0w!e - 1977 - Heroes FLAC

Heroes/Heros [French]/Helden [German]/V-2 Schneider



"'Heroes'" is a song by the English musician David Bowie, written by Bowie and Brian Eno. Produced by Bowie and Tony Visconti, it was recorded in July and August 1977, and released on 23 September 1977. A product of Bowie's "Berlin" period, the track was not a huge hit in the UK or US at the time, but has gone on to become one of Bowie's signature songs. In January 2016, following Bowie's death, the song reached a new peak of number 12 in the UK Singles Chart. "'Heroes'" has been cited as Bowie's second-most covered song after "Rebel Rebel".

Inspired by the sight of Bowie's producer / engineer Tony Visconti embracing his girlfriend by the Berlin Wall, the song tells the story of two lovers, one from East and one from West Berlin. Bowie's performance of "Heroes" on June 6, 1987 at the German Reichstag in West Berlin was considered a catalyst to the eventual fall of the Berlin Wall, similar to that of Bruce Springsteen's concert at Radrennbahn Weissensee a year later. Following Bowie's death in January 2016, the German government thanked Bowie for "helping to bring down the Wall", adding "you are now among Heroes".

"'Heroes'" has received numerous accolades since its release, as seen with its inclusion on lists ranking the 'greatest songs of all time' compiled by the music publications; Rolling Stone named the song the 46th greatest ever, and NME named it the 15th greatest. Bowie scholar David Buckley has written that "Heroes" "is perhaps pop's definitive statement of the potential triumph of the human spirit over 
adversity".

""Heroes"" was released in a variety of languages and lengths ("a collector's wet dream" in the words of NME editors Roy Carr and Charles Shaar Murray). In contrast to the bewildering audio situation, the video (directed by Stanley Dorfman) was a stark and simple affair, the singer captured performing the song in what appeared to be a single take with multiple cameras, swaying in front of a spotlight that created a monotone and near-silhouette effect. Despite a large promotional push, including Bowie's first live Top of the Pops appearance since 1973, ""Heroes"" only reached number 24 in the UK charts, and failed to make the US Billboard Hot 100.

In Italy, the song was certified gold by the Federation of the Italian Music Industry.

Writing for NME on its release, Charlie Gillett slated the record saying: "Well he had a pretty good run for our money, for a guy who was no singer. But I think his time has been and gone, and this just sounds weary. Then again, maybe the ponderous heavy riff will be absorbed on the radio, and the monotonous feel may just be hypnotic enough to drag people into buying it. I hope not."

Later assessments were more favourable. In February 1999, Q Magazine listed ""Heroes"" as one of the 100 greatest singles of all time as voted by the readers. In March 2005, the same magazine placed it at number 56 in its list of the 100 Greatest Guitar Tracks. In 2004, Rolling Stone rated ""Heroes"" number 46 in its list of The 500 Greatest Songs of All Time. It was included in 2008's The Pitchfork Media 500: Our Guide to the Greatest Songs from Punk to the Present. John J. Miller of National Review rated ""Heroes"" number 21 on a list of "the 50 greatest conservative rock songs" due to its anti-Soviet political context, despite its status as a gay anthem. Uncut placed ""Heroes"" as number 1 in its 30 greatest Bowie songs in 2008.

New link added 26.11.2018

Dionne Warwick - 1967 - The Windows of The World

 The Windows of The World/Walk Little Dolly/I Never Knew What You Were Up To/Blowin' In The Wind



 "The Windows of the World" is a song written by Burt Bacharach (music) and Hal David (lyrics) which was a hit single for Dionne Warwick in 1967.

The track was recorded in a 13 April 1967 session produced by Bacharach and David with Bacharach as conductor and arranger.

Bacharach and David had scored a number 7 hit in 1965 with Jackie DeShannon's message song hit "What the World Needs Now is Love" but "The Windows of the World" was unique in the composers' canon in being a protest song. Inspired by such songs as "Where Have All the Flowers Gone?" and "Blowin' in the Wind", Hal David wrote lyrics for "The Windows of the World" which overtly but gently lament U.S. involvement in the Vietnam War (an especial concern to David, who had two young sons, one of them almost of eligible age for the draft). The arrangement for "The Windows of the World" has a subtle Asian flavor featuring strings plucked in the style of a koto and also finger cymbals the latter evoking the sound of raindrops on a window.

"The Windows of the World" represented a thematic departure for Warwick who had built her career as a romantic balladeer and had passed on the chance to introduce "What the World Needs Now is Love" (although her stated objection to the last-named was not its theme but rather that it sounded "too country"). Released in July 1967, "The Windows of the World" was not one of Warwick's biggest hits, reaching number 32 on the Billboard Hot 100 and number 27 on the R&B charts.  "The Windows of the World" was also a minor hit on the Easy Listening chart, where it peaked at number 32. However, Warwick stated in 2002 that "The Windows of the World" was her favorite of all of her singles.

Crash Craddock - 1960 - Crash FLAC

Sweetie Pie/Am I to Be the One/Lulu Lee/Ah, Poor Little Baby



Billy Wayne "Crash" Craddock (born June 16, 1939) is an American country and rockabilly singer. He first gained popularity in Australia in the 1950s with a string of rockabilly hits, including the Australian number one hit "Boom Boom Baby".












After an aborted career as a '50s teen idol, Billy "Crash" Craddock returned to his first love, country music, and earned the nickname "Mr. Country Rock" with a string of popular hits during the '70s. Born in Greensboro, NC, in 1939, Craddock earned his nickname as a running back on his high-school football team, and grew up a huge fan of the Grand Ole Opry.


He signed with Columbia in the late '50s, but instead of marketing him as a country singer, the label tried to make him a teen idol, and had him record a mix of Elvis-style rockabilly tunes and pop ballads. Craddock did manage to land three hit singles in Australia, but none in his home country, and aside from a lone album for King in 1964 (I'm Tore Up), he was largely missing-in-action afterwards.

 That all changed in 1971, when Craddock signed with Cartwheel Records -- this time as a country artist. His first five singles -- a remake of "Knock Three Times," "Dream Lover," "You Better Move On," "Ain't Nothin' Shakin' (But the Leaves on The Trees)," and "I'm Gonna Knock on Your Door" -- all made the country Top Ten over 1971-1972. He subsequently moved to ABC and scored his first chart-topper with 1974's "Rub It In," which also crossed over to the pop Top 20. More hits followed, including a second number one in 1975 with a remake of the Drifters' "Ruby Baby," and a third in 1977's "Broken Down in Tiny Pieces." All told, Craddock landed in the country Top Ten a total of 18 times from 1971-1979, with his final entry being "If I Could Write a Song as Beautiful as You." He recorded for Capitol during the late '70s and early '80s, by which time his commercial momentum had finally slowed.